{"title":"All","description":"","products":[{"product_id":"stencil-brush-24","title":"Stencil Brush #24","description":"\u003cp\u003eStencil Brush made with pure bristle and wooden handle. Used in the bindery for stippling, adding colour or pigment when edge decorating, and for mixing paste. It's a good idea to have a variety of sizes of brushes in the bindery, choosing a brush depending on the project.\u003c\/p\u003e\n\u003cp\u003eSize: No 24 (150 x 40 mm)\u003c\/p\u003e\n\u003cp\u003eMade in the UK.\u003c\/p\u003e","brand":"R Russell Brushes","offers":[{"title":"Default Title","offer_id":42713078399234,"sku":"","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC01109.jpg?v=1651330105"},{"product_id":"bookbinder-by-sophy-hollington","title":"BOOKBINDER by Sophy Hollington","description":"\u003cp\u003eTitle: Print by Sophy Hollington\u003cbr\u003e Production: Letterpress printed, five colours\u003cbr\u003e Dimensions: 250 x 270 mm\u003cbr\u003e Edition: 100\u003cbr\u003e Year: 2018\u003c\/p\u003e\n\u003cp\u003eA limited edition print by Sophy Hollington. Letterpress printed in five colours at LCBA. Sophy is an illustrator and artist living in Brighton, UK.\u003c\/p\u003e","brand":"London Centre for Book Arts","offers":[{"title":"Framed","offer_id":43703540056322,"sku":"","price":95.0,"currency_code":"GBP","in_stock":true},{"title":"Unframed","offer_id":43703540089090,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02498-e1552227801534.jpg?v=1651330131"},{"product_id":"frontage-by-christine-mccauley","title":"FRONTAGE by Christine McCauley","description":"\u003cp\u003eTitle: Frontage\u003cbr\u003eArtist: Christine McCauley \u003cbr\u003eDimensions: 310 x 370 mm \u003cbr\u003eProcess: 5 colour woodcut, printed on 225gsm Zerkall mould-made acid free paper \u003cbr\u003eEdition: 115 \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnframed: £50 (shipped flat) Framed: £120\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e Meticulously carved by hand and printed in five colours on a Vandercook SP15 at LCBA, \u003cem\u003eFrontage\u003c\/em\u003e features the instantly recognisable view of LCBA from the street (designed by Studio Bergini in 2018). Produced in an edition of 115, signed and numbered by the artist. Artist, illustrator, printmaker, and educator, Christine McCauley became our very first studio member back in 2012. Since then, she’s become part of the fabric of the studio community, always ready to share her expertise and help others.\u003cbr\u003e\u003cbr\u003eHaving produce illustrations for publishers such as Spare Rib and The Women’s Press, as well as a body of paintings and drawings, Christine now creates prints and artist books that mix personal history with the history of colonialism and social struggles. \u003cbr\u003e\u003cbr\u003eThe print is available unframed or framed. The prints are float-mounted, and the frames are made from oak and 99% UV protective glass. \u003cem\u003eAll proceeds from fundraising editions go towards supporting the future of LCBA.\u003c\/em\u003e\u003c\/p\u003e","brand":"London Centre for Book Arts","offers":[{"title":"Framed","offer_id":42713081807106,"sku":null,"price":120.0,"currency_code":"GBP","in_stock":true},{"title":"Unframed","offer_id":42713081839874,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC04109.jpg?v=1651330225"},{"product_id":"the-journey-of-things-by-magdalene-odundo","title":"THE JOURNEY OF THINGS (V. 4) by Magdalene Odundo","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eThe Journey of Things\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eby Magdalene Odundo, available once again for emerging audiences. In its third printing, the book reveals the unique characteristics that have granted it continued resonance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe book features 44 of Odundo’s vessels, a large selection of museological and contemporary objects that reveal the range of global references that have informed her practice, alongside various texts including a conversation with Ben Okri. Comprising a series of interleaved sections in an organic flow which pairs and juxtaposes the historic and the contemporary, featuring works by Barbara Hepworth, Henry Moore, Henri Gaudier-Brzeska, Lucie Rie, Jean Arp, as well as ancient vessels from Greece and Egypt, historic ceramics from Africa, Asia and Central America, and ritual objects from across the African continent.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eThe Journey of Things\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas originally published alongside the exhibition of the same name, led by Andrew Bonacina at The Hepworth Wakefield in Spring 2019. \u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713082003714,"sku":"","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/journeyofthings-01.jpg?v=1774357109"},{"product_id":"water-brush","title":"Water Brush","description":"\u003cp\u003eThe Pentel Aquash Water Brush has a water reservoir in the barrel which can be refilled easily and as often as desired. Typically used for watercolour painting and brush lettering, a water brush may be used for a number of applications in bookbinding and book conservation from wet-tearing (without the abrasive scratching usually associated with stylus pens), to applying deacidification agents and detergents.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e10ml water reservoir\u003cbr\u003eDurable nylon tip\u003cbr\u003eMade in Japan\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTo fill the water barrel unscrew from the tip and submerge in water. Squeeze the barrel and release to fill. Replace tip. Applying slight pressure on the barrel will send water to the brush. (Avoid squeezing too hard as this will flood the brush tip and leach on to your work).\u003c\/p\u003e","brand":"Artway","offers":[{"title":"Default Title","offer_id":42713082134786,"sku":"","price":6.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC03863-1.jpg?v=1651330308"},{"product_id":"the-responsible-object-a-history-of-design-ideology-for-the-future-by-marjanne-van-helvert","title":"THE RESPONSIBLE OBJECT: A HISTORY OF DESIGN IDEOLOGY FOR THE FUTURE by Marjanne van Helvert","description":"\u003ctable width=\"100%\" data-mce-selected=\"1\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe Responsible Object: A History of Design Ideology for the Future\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eMarjanne van Helvert\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eValiz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e272\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e170 x 240 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e2020 (2016)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eContributors: Andrea Bandoni, Ece Canli, Alison J. Clarke, Éva Forgács, Marjanne van Helvert, Susan R. Henderson, Ed van Hinte, Elizabeth C. Miller, Luiza Prado de O. Martins, Pedro J. S. Vieira de Oliveira\u003c\/p\u003e\n\u003cp\u003eToday, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social responsibility have become prolific epithets, generating new products, materials, and technologies, designed to change the course of our future. The intrinsic design ideologies are often not new, but form a fundamental part of design history, reappearing throughout the previous centuries. This book presents a history of socially committed design strategies within the western design tradition, from William Morris to Victor Papanek, and from VKhUTEMAS to FabLab. A critical resource for designers, students, cultural critics, and anyone interested in building a sustainable future.\u003c\/p\u003e\n\u003cp\u003eMarjanne van Helvert explores the dynamics between theory and practice of design. Her main fields of interest are the relations between ethics and aesthetics, DIY practices, gender politics, utopia and dystopia.\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":42713082265858,"sku":"","price":22.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC05218.jpg?v=1651330250"},{"product_id":"lcba-bookbinding-toolkit","title":"BOOKBINDING TOOL KIT [BEGINNERS] by London Centre for Book Arts","description":"\u003cp\u003eThe perfect kit for beginner bookbinders and craft makers. All tools are carefully selected and sourced in the UK.\u003c\/p\u003e\n\u003cp\u003eRecommended with \u003ca href=\"https:\/\/londonbookarts.org\/products\/making-books-a-guide-to-creating-hand-crafted-books-by-the-london-centre-for-book-arts?_pos=1\u0026amp;_sid=176799df6\u0026amp;_ss=r\"\u003eMAKING BOOKS: A GUIDE TO CREATING HAND-CRAFTED BOOKS BY THE LONDON CENTRE FOR BOOK ARTS\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe kit comes in a stitched box with foil-blocked artwork by Jay Cover.\u003c\/p\u003e\n\u003cp\u003eKit contains:\u003cbr\u003eAwl\u003cbr\u003e6\" Bone Folder or Teflon Folder\u003cbr\u003eClip-point Shoe Knife\u003cbr\u003eGlue Brush\u003cbr\u003eBeeswax\u003cbr\u003e5 bookbinding needles\u003cbr\u003e15 metres of 100% linen thread\u003cbr\u003e\u003c\/p\u003e","brand":"London Centre for Book Arts","offers":[{"title":"w\/ Bone Folder","offer_id":45484307874050,"sku":"KIT101","price":35.0,"currency_code":"GBP","in_stock":true},{"title":"w\/ Teflon Folder","offer_id":45484307906818,"sku":"KIT102","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/DSC05343.jpg?v=1746278688"},{"product_id":"studio-pass","title":"Studio Pass","description":"\u003cp\u003e\u003cem\u003eAccess to work\/desk space and all letterpress, bookbinding, foil blocking, Risograph and print finishing equipment during opening hours\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e20% discount on one-day workshops\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e10% discount on books and materials from the LCBA Shop\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e10% discount on \u003ca href=\"https:\/\/www.eastlondonprintmakers.co.uk\/courses\/\"\u003ecourses at East London Printmakers\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInvitation to all LCBA special events\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003c\/em\u003eIf you have previously taken workshops at the London Centre for Book Arts or have similar experience, the Studio Pass is a flexible way to work independently, with occasional guidance, on your own projects using the unique facilities at the Centre. A Studio Pass gives you access to all letterpress, bookbinding, foil blocking, Risograph, and print finishing equipment during opening hours. \u003cbr\u003e\u003cbr\u003eChoose from 5 Sessions (£150) or 10 Sessions (£250). Passes are valid for six months after purchase, and can be topped-up thereafter or when sessions run out.\u003c\/p\u003e\n\u003cp\u003eFor questions, and to see which pass is right for you, please email us at \u003ca rel=\"noopener\" href=\"mailto:hello@londonbookarts.org\" target=\"_blank\"\u003ehello@londonbookarts.org\u003c\/a\u003e or call the studio on 020 8510 9810.\u003c\/p\u003e\n\u003cp\u003eFind a detailed list of the available equipment and tools at LCBA \u003ca title=\"Equipment List\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/Equipment_List_with_Key_2025.pdf?v=1750247292\"\u003ehere\u003c\/a\u003e. \u003cem\u003eAccess is subject to availability.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"notranslate\" style=\"all: initial;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"all: initial;\" class=\"notranslate\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"London Centre for Book Arts","offers":[{"title":"5 Sessions","offer_id":43303386710274,"sku":"","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"10 Sessions","offer_id":43303386743042,"sku":"","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/Workshops_Studio_Pass_Shopify_08722242-996f-4134-aa5a-2d49e1dd215b.jpg?v=1746809222"},{"product_id":"making-books-a-guide-to-creating-hand-crafted-books-by-the-london-centre-for-book-arts","title":"MAKING BOOKS: A GUIDE TO CREATING HAND-CRAFTED BOOKS BY THE LONDON CENTRE FOR BOOK ARTS by Simon Goode, Ira Yonemura","description":"\u003cp\u003eWe wrote a book! Based on our popular workshops, Making Books is a step-by-step guide to creating books by hand at home.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"A practical guide to the traditional craft of bookbinding, written by the founders of the London Centre for Book Arts, a destination workshop space that attracts visitors from all over the world. Accessible enough for complete beginners, while full of inspiration for those with more experience, this is the ultimate guide to making beautiful books by hand.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStarting with an introduction to the bindery and a useful inventory of necessary tools and equipment, you’ll also learn about different paper types, and special finishes such as cloth coverings, headbands and ribbon markers. You’ll then find clear step-by-step instructions for six different hand-made book types, from simple pamphlets and concertinas to more elaborate multi-section bindings. Each project includes ideas for variations, resulting in over 20 different possible outcomes. There are also details about more advanced techniques and specialist bindings, as well as handy layout and design advice. A combination of practical and inspirational photography will guide readers clearly through each stage of the process, while showcasing the unique results that can be achieved and offering an exclusive peek into the workings of the authors’ studio.\"\u003cbr\u003e\u003c\/p\u003e","brand":"HarperCollins","offers":[{"title":"Default Title","offer_id":42713084068098,"sku":"1911216201","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/LCBA_shop_books_MakingBooks.jpg?v=1669739198"},{"product_id":"cap-lock-how-capitalism-took-hold-of-graphic-design-and-how-to-escape-from-it-by-ruben-pater","title":"CAPS LOCK: HOW CAPITALISM TOOK HOLD OF GRAPHIC DESIGN, AND HOW TO ESCAPE FROM IT by Ruben Pater","description":"\u003cp\u003eCapitalism could not exist without the coins, notes, documents, graphics, interfaces, branding and advertisements; artefacts that have been (partly) created by graphic designers. Even anti-consumerist strategies such as social design and speculative design are being appropriated within capitalist societies to serve economic growth. It seems that design is locked in a system of exploitation and profit, a cycle that fosters inequality and the depletion of natural resources.\u003c\/p\u003e\n\u003cp\u003eCAPS LOCK uses clear language and striking visual examples to show how graphic design and capitalism are inextricably linked. The book contains many case studies of designed objects related to capitalist societies and cultures, and also examines how the education and professional practice of (graphic) designers supports the market economy and how design practice is caught within that very system.\u003c\/p\u003e\n\u003cp\u003eThe content of CAPS LOCK is structured in chapters with titles of professions that designers can occupy (such as Educator; Engineer, Hacker, Futurist, Activist, etc.). These titles respond to the importance of not just how designers make work, but also how they perform daily economic and social roles.\u003cbr\u003e\u003cbr\u003eEach chapter is divided into coherent articles in which diverse examples of objects and design practices are relayed. The book also features examples of radical design collectives, that work towards alternatives between design, community and reciprocity.\u003c\/p\u003e\n\u003cp\u003eRuben Pater (1977, NL) works under the name Untold Stories on visual stories that support solidarity, justice and equality. Pater teaches graphic design and the MA Non-Linear Narrative at the Royal Academy of Art in The Hague.\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":42713084330242,"sku":"","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/Caps_Lock.jpg?v=1754056634"},{"product_id":"on-the-necessity-of-gardening-an-abc-of-art-botany-and-cultivation-by-laurie-cluitmans","title":"ON THE NECESSITY OF GARDENING: AN ABC OF ART, BOTANY AND CULTIVATION by Laurie Cluitmans","description":"\u003cp\u003eFor centuries, the garden has been regarded as a mirror of society, a microcosm, in which the broader relationships between nature and culture are played out on small scale. From this long cultural tradition also raises a call for a new awareness of our relationship with the Earth.\u003c\/p\u003e\n\u003cp\u003eOn the Necessity of Gardening tells the story of the garden as a rich source of inspiration. Over the centuries, artists, writers, poets and thinkers have each described, depicted and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems.\u003c\/p\u003e\n\u003cp\u003eHowever, the garden is not just a neutral place and intended solely for personal pastime, it is a place where the world manifests itself and where the relationship between culture and nature is expressed. In the eighteenth century this image shifted: the garden became a symbol of worldly power and politics. The Anthropocene, the era in which man completely dominates nature with disastrous consequences, is forcing us to radically rethink the role we have given nature in recent decades.\u003c\/p\u003e\n\u003cp\u003eThere is a renewed interest in the theme of the garden among contemporary makers. It is not a romantic desire that drives them, but rather a call for a new awareness of our relationship with the earth, by connecting different fields of activity in landscape, art and culture. Through many different essays and an extensive abecedarium, On the Necessity of Gardening reflects on the garden as a metaphor for society, through concepts such as botanomania and capitalocene, from guerrilla gardening to queer ecology and zen garden.\u003c\/p\u003e\n\u003cp\u003eLaurie Cluitmans (b. 1984, NL) works as a curator of contemporary art for the Centraal Museum in Utrecht and is also an independent art critic. In 2016 she received the Prize for Young Art Criticism for her essay on the garden by Derek Jarman and Ian Hamilton Finlay.\u003c\/p\u003e\n\u003cp\u003eOn the Necessity of Gardening appears simultaneous with the exhibition The botanical revolution, on the necessity of art and gardening that will be on view from 11 September 2021 to 9 January 2022 in the Centraal Museum in Utrecht (NL). The publication is categorically not an exhibition catalogue, but is positioned as an autonomous project. Both the exhibition and publication stem from a longer-term research by Laurie Cluitmans into the development of the cultural-historical, philosophical and social significance of the garden in relation to our current way of life.\u003c\/p\u003e\n\u003cp\u003eContributors: Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries. Design: Bart de Baets.\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":42713084363010,"sku":"","price":29.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC00633.jpg?v=1651330366"},{"product_id":"the-works-of-guillaume-dustan-vol-1-by-guillaume-dustan","title":"THE WORKS OF GUILLAUME DUSTAN, VOL. 1 by Guillaume Dustan","description":"\u003cp\u003eGuillaume Dustan's first three novels, published in France between 1996 and 1998, describing the narrator's sexual odyssey through a Paris still haunted by AIDS.\u003c\/p\u003e\n\u003cp\u003eThis volume collects a suite of three wildly entertaining and trailblazing short novels by the legendary French anti-assimilationist LGBTQ+ writer Guillaume Dustan. Published sequentially in France between 1996 and 1998, the three novels are exuberant and deliberately affectless accounts of the narrator's sexual odyssey through a Parisian club and bath scene still haunted by AIDS.\u003c\/p\u003e\n\u003cp\u003eIn My Room (1996) takes place almost entirely in the narrator's bedroom. The middle volume, I'm Going Out Tonight (1997), finds him venturing out onto the gay scene in one long night. Finally, in Stronger Than Me (1998), the narrator reflects on his early life, which coincided with the appearance and spread of the AIDS virus in France.\u003c\/p\u003e\n\u003cp\u003eA close contemporary of Dennis Cooper, Brett Easton Ellis, Kevin Killian, and Gary Indiana, Guillaume Dustan offer deadpan autofiction that is at once satirical and intimate, and completely contemporary.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713084887298,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02494.jpg?v=1669738670"},{"product_id":"the-letters-of-mina-harker-by-dodie-bellamy","title":"THE LETTERS OF MINA HARKER by Dodie Bellamy","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe Letters of Mina Harker\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eDodie Bellamy\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSemiotext(e)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e272\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e153 x 230 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2021\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eBellamy's debut novel revives a minor character from Bram Stoker's Dracula and imagines her as an independent woman living in San Francisco during the 1980s.\u003c\/p\u003e\n\u003cp\u003eHypocrisy's not the problem, I think, it's allegory the breeding ground of paranoia. The act of reading into—how does one know when to stop? KK says that Dodie has the advantage because she's physical and I'm “only psychic.” … The truth is: everyone is adopted. My true mother wore a turtleneck and a long braid down her back, drove a Karmann Ghia, drank Chianti in dark corners, fucked Gregroy Corso … —Dodie Bellamy, The Letters of Mina Harker\u003c\/p\u003e\n\u003cp\u003eFirst published in 1998, Dodie Bellamy's debut novel The Letters of Mina Harker sought to resuscitate the central female character from Bram Stoker's Dracula and reimagine her as an independent woman living in San Francisco during the 1980s—a woman not unlike Dodie Bellamy. Harker confesses the most intimate details of her relationships with four different men in a series of letters. Vampirizing Mina Harker, Bellamy turns the novel into a laboratory: a series of attempted transmutations between the two women in which the real story occurs in the gaps and the slippages. Lampooning the intellectual theory-speak of that era, Bellamy's narrator fights to inhabit her own sexuality despite feelings of vulnerability and destruction. Stylish but ruthlessly unpretentious, The Letters of Mina Harker was Bellamy's first major claim to the literary space she would come to inhabit.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713084920066,"sku":"","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02448.jpg?v=1669738646"},{"product_id":"reallife-magazine-selected-writings-and-projects-1979-1994","title":"REAL LIFE MAGAZINE: SELECTED WRITINGS AND PROJECTS 1979–1994 by Miriam Katzeff, Thomas Lawson, Susan Morgan","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eREALLIFE Magazine: Selected Writings and Projects 1979–1994\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eMiriam Katzeff, Thomas Lawson, Susan Morgan\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003ePrimary Information\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e320\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e210 x 270 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eREALLIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists’ projects from REALLIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REALLIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine through its 15 year history, traces the influences, development and transitions of artists through the 80s.\u003c\/p\u003e\n\u003cp\u003eThe anthology features writings by and about Dara Birnbaum, Eric Bogosian, Rhys Chatham, Mark Dion, Jack Goldstein, Felix Gonzalez-Torres, Kim Gordon, Dan Graham, Thomas Lawson, Louise Lawler, Sherrie Levine, Allan McCollum, John Miller, Dave Muller, Matt Mullican, Adrian Piper, Richard Prince, David Robbins, Ed Ruscha, Cindy Sherman, Laurie Simmons, Michael Smith, John Stezaker, Bernard Tschumi, Jeff Wall, Lawrence Weiner, and James Welling among others.\u003c\/p\u003e\n\u003cp\u003eEdited by Miriam Katzeff, Thomas Lawson, and Susan Morgan with introductions by Matthew Higgs, Thomas Lawson, and Susan Morgan.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713084985602,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC07957-e1566142984330.jpg?v=1651330370"},{"product_id":"see-red-womens-workshop-feminist-posters-1974-1990","title":"SEE RED WOMENS WORKSHOP: FEMINIST POSTERS 1974-1990 by Sheila Rowbotham","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSee Red Womens Workshop: Feminist Posters 1974-1990\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSee Red Women’s Workshop, Sheila Rowbotham\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eFour Corners\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e184\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e220 x 310 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2016\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eFounded in 1974, See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change.\u003c\/p\u003e\n\u003cp\u003eWritten by See Red members, detailing the group’s history, the book features all of their original screenprints, alongside posters commissioned for radical groups and campaigns. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation — and have continued relevance for today.\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713085083906,"sku":"","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC08479.jpg?v=1651330359"},{"product_id":"come-alive-the-spirited-art-of-sister-corita","title":"COME ALIVE! THE SPIRITED ART OF SISTER CORITA by Julie Ault","description":"\u003cp\u003eAdmired by Charles and Ray Eames, Buckminster Fuller and Saul Bass, Sister Corita Kent (1918–1986) was one of the most innovative and unusual pop artists of the 1960s, battling the political and religious establishments, revolutionizing graphic design and encouraging the creativity of thousands of people — all while living and practising as a Catholic nun in California.\u003c\/p\u003e\n\u003cp\u003eMixing advertising slogans and poetry in her prints and commandeering nuns and students to help make ambitious installations, processions and banners, Sister Corita's work is now recognized as some of the most striking — and joyful — American art of the 60s. But, at the end of the decade and at the height of her fame and prodigious work rate, she left the convent where she had spent her adult life.\u003c\/p\u003e\n\u003cp\u003eJulie Ault's book is the first to examine Corita's life and career, containing more than 90 illustrations, many reproduced for the first time, capturing the artist's use of vibrant and day-glo colours.\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713085346050,"sku":"","price":15.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/Come_Alive.jpg?v=1764254822"},{"product_id":"again-a-time-machine-from-distribution-to-archive","title":"AGAIN, A TIME MACHINE: FROM DISTRIBUTION TO ARCHIVE by Gavin Everall, Jane Rolo","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eAgain, A Time Machine: From Distribution to Archive\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eGavin Everall, Jane Rolo\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eBook Works\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e224\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e255 x 388 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2012\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eWhy Distribute? Why Archive?\u003c\/p\u003e\n\u003cp\u003eAgain, A Time Machine: from distribution to archive is produced in response to, and as an extension of, the touring exhibition in six parts, Again, A Time Machine (2011-12). Playing with time and words, and structured around the confluence of archive and distribution, this book presents an assemblage of material that extends Book Works’ touring exhibition. Specifically engaging with the circuits of practice that have materialised in the form of books, writing, magazines, language, spoken word, performative research and archival practice.\u003c\/p\u003e\n\u003cp\u003eContributors include: A Estante, An Endless Supply, AND, Banner Repeater, Claire Makhlouf Carter, Eastside Projects, Maria Fusco, Dora García, Melissa Gronlund, Sam Hasler, Stewart Home, Ian Hunt, Jonathan Monk, Apexa Patel, Mark Pawson, Bridget Penney, Pil \u0026amp; Galia Kollectiv, Plastique Fantastique, Sarah Pierce, Laure Prouvost and Rory Macbeth, Publish And Be Damned, John Russell, Slavs and Tatars, Spike Island, Barry Sykes, The Serving Library, The Showroom, Torpedo, Ubuweb, Marina Vischmidt, McKenzie Wark, White Columns and X Marks the Bökship.\u003c\/p\u003e","brand":"Book Works","offers":[{"title":"Default Title","offer_id":42713085444354,"sku":"","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC06057.jpg?v=1651330410"},{"product_id":"true-print","title":"TRUE PRINT: DAFI KÜHNE by Dafi Kühne","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eTrue Print: Dafi Kühne\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eReto Caduff, David Shields, Rudolf Barmettler\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eLars Müller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e152\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e240 x 300 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eHardcover\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2016\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eDafi Kühne is a Swiss designer who works with analogue and digital techniques to produce fresh and unique letterpress-printed posters. Using very different kinds of tools — from a computer to a pantograph — for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Dafi Kühne embraces the labor involved in the entire process of creating a poster, from initial idea to finished product. Fusing modern means with the century-old tradition of letterpress, he forms a new vocabulary for how to communicate through type and form in a truly contemporary way. Never retro, his work is a clever response to the search for new possibilities of graphic expression: true print.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713085477122,"sku":"","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02984.jpg?v=1651330393"},{"product_id":"japanese-bookbinding-instructions-from-a-master-craftsman","title":"JAPANESE BOOKBINDING: INSTRUCTIONS FROM A MASTER CRAFTSMAN by Kojiro Ikegami","description":"\u003ctable width=\"100%\" data-mce-selected=\"1\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eJapanese Bookbinding: Instructions from a Master Craftsman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKojiro Ikegami\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eWeatherhill\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e127\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e195 x 265 mm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eHardcover\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e2012\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\"A third-generation traditional bookbinder gives easy-to-follow instructions for making all the major, historically important styles of Japanese bindings as well as traditional book cases-the custom-made folding boxes that afford handsome protection for Japan's exquisite books.\u003c\/p\u003e\n\u003cp\u003eThe authoritative text, written by one of Japan's leading professional bookbinders, has been fully adapted for Western readers. Both American and Japanese suppliers of traditional tools and materials are provided and substitutes are recommended for items not readily available.\u003c\/p\u003e\n\u003cp\u003eFor centuries the West has admired Japanese books, but only now can we make them ourselves and take full advantage of their creative possibilities. Stunning and practical, these bindings are ideal for preserving calligraphy, letters, artwork, and poems, for adding a distinctive touch to limited-edition books, and for use as diaries or gifts.\"\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713085542658,"sku":"","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02253.jpg?v=1651330392"},{"product_id":"carpenters-square","title":"Walnut Try Square 3\"","description":"\u003cp\u003eAn ‘L’-shaped square set at 90 degrees, used for checking that things are square and for marking right angles.\u003c\/p\u003e\n\u003cp\u003eHandle size: 25 x 65 mm\u003cbr\u003eBlade size: 25 x 75 mm\u003c\/p\u003e","brand":"Joseph Marples Ltd","offers":[{"title":"Default Title","offer_id":42713085575426,"sku":"","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/DSC01168.jpg?v=1716638174"},{"product_id":"awl","title":"Awl, Ash Handle","description":"\u003cp\u003eAn Awl is a tool comprised of a handle attached to a needle-like shaft, and is used to make sewing holes in paper or board. 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Hedi will show you how to bind a book and fold paper to create over 35 of her cut-fold book designs. The book is beautifully illustrated with Hedi’s finished works of art.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713089147138,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/art_of_fold.jpg?v=1765273485"},{"product_id":"some-notes-on-books-and-printing","title":"SOME NOTES ON BOOKS AND PRINTING: A GUIDE FOR AUTHORS AND OTHERS by Charles T. Jacobi, Esther McManus, Sam Whetton","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSome Notes on Books and Printing: A Guide for Authors and Others \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eCharles T Jacobi, Esther McManus, Sam Whetton\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eTemporal Drag, A6 BOOKS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e105 x 148 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eSome Notes on Books and Printing is a practical treatise on the production of books in nineteenth century London, guiding the novice from manuscript to distribution, demonstrating the interconnectedness of the people and processes involved. A facsimile of the 1892 edition alongside new texts, to trouble conventional assumptions of obsolescence and provoke a different relationship to time and history, unfettered from the demands of 'progress'.\u003c\/p\u003e\n\u003cp\u003eTemporal Drag is an imprint of A6 BOOKS, LCBA's in-house publisher. \u003cem\u003eWe re-publish copyright-free texts—from the LCBA library and beyond—to put them in conversation with new ones. With a focus on texts about book and print culture, we consider the potential that the arises from engaging with ‘obsolete’ practices and ideas in the here and now.\u003c\/em\u003e\u003c\/p\u003e","brand":"A6 BOOKS","offers":[{"title":"Default Title","offer_id":42713089573122,"sku":"","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/Some-notes-01-2-scaled.jpg?v=1651330517"}],"url":"https:\/\/londonbookarts.org\/collections\/all.oembed?page=31","provider":"London Centre for Book Arts","version":"1.0","type":"link"}