{"title":"Books","description":"","products":[{"product_id":"the-journey-of-things-by-magdalene-odundo","title":"THE JOURNEY OF THINGS (V. 4) by Magdalene Odundo","description":"\u003cp class=\"p1\"\u003e\u003ci\u003eThe Journey of Things\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eby Magdalene Odundo, available once again for emerging audiences. In its third printing, the book reveals the unique characteristics that have granted it continued resonance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe book features 44 of Odundo’s vessels, a large selection of museological and contemporary objects that reveal the range of global references that have informed her practice, alongside various texts including a conversation with Ben Okri. Comprising a series of interleaved sections in an organic flow which pairs and juxtaposes the historic and the contemporary, featuring works by Barbara Hepworth, Henry Moore, Henri Gaudier-Brzeska, Lucie Rie, Jean Arp, as well as ancient vessels from Greece and Egypt, historic ceramics from Africa, Asia and Central America, and ritual objects from across the African continent.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eThe Journey of Things\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas originally published alongside the exhibition of the same name, led by Andrew Bonacina at The Hepworth Wakefield in Spring 2019. \u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713082003714,"sku":"","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/journeyofthings-01.jpg?v=1774357109"},{"product_id":"the-responsible-object-a-history-of-design-ideology-for-the-future-by-marjanne-van-helvert","title":"THE RESPONSIBLE OBJECT: A HISTORY OF DESIGN IDEOLOGY FOR THE FUTURE by Marjanne van Helvert","description":"\u003ctable width=\"100%\" data-mce-selected=\"1\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe Responsible Object: A History of Design Ideology for the Future\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eMarjanne van Helvert\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eValiz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e272\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e170 x 240 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-selected=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-selected=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e2020 (2016)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eContributors: Andrea Bandoni, Ece Canli, Alison J. Clarke, Éva Forgács, Marjanne van Helvert, Susan R. Henderson, Ed van Hinte, Elizabeth C. Miller, Luiza Prado de O. Martins, Pedro J. S. Vieira de Oliveira\u003c\/p\u003e\n\u003cp\u003eToday, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social responsibility have become prolific epithets, generating new products, materials, and technologies, designed to change the course of our future. The intrinsic design ideologies are often not new, but form a fundamental part of design history, reappearing throughout the previous centuries. This book presents a history of socially committed design strategies within the western design tradition, from William Morris to Victor Papanek, and from VKhUTEMAS to FabLab. A critical resource for designers, students, cultural critics, and anyone interested in building a sustainable future.\u003c\/p\u003e\n\u003cp\u003eMarjanne van Helvert explores the dynamics between theory and practice of design. Her main fields of interest are the relations between ethics and aesthetics, DIY practices, gender politics, utopia and dystopia.\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":42713082265858,"sku":"","price":22.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC05218.jpg?v=1651330250"},{"product_id":"making-books-a-guide-to-creating-hand-crafted-books-by-the-london-centre-for-book-arts","title":"MAKING BOOKS: A GUIDE TO CREATING HAND-CRAFTED BOOKS BY THE LONDON CENTRE FOR BOOK ARTS by Simon Goode, Ira Yonemura","description":"\u003cp\u003eWe wrote a book! Based on our popular workshops, Making Books is a step-by-step guide to creating books by hand at home.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"A practical guide to the traditional craft of bookbinding, written by the founders of the London Centre for Book Arts, a destination workshop space that attracts visitors from all over the world. Accessible enough for complete beginners, while full of inspiration for those with more experience, this is the ultimate guide to making beautiful books by hand.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStarting with an introduction to the bindery and a useful inventory of necessary tools and equipment, you’ll also learn about different paper types, and special finishes such as cloth coverings, headbands and ribbon markers. You’ll then find clear step-by-step instructions for six different hand-made book types, from simple pamphlets and concertinas to more elaborate multi-section bindings. Each project includes ideas for variations, resulting in over 20 different possible outcomes. There are also details about more advanced techniques and specialist bindings, as well as handy layout and design advice. A combination of practical and inspirational photography will guide readers clearly through each stage of the process, while showcasing the unique results that can be achieved and offering an exclusive peek into the workings of the authors’ studio.\"\u003cbr\u003e\u003c\/p\u003e","brand":"HarperCollins","offers":[{"title":"Default Title","offer_id":42713084068098,"sku":"1911216201","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/LCBA_shop_books_MakingBooks.jpg?v=1669739198"},{"product_id":"cap-lock-how-capitalism-took-hold-of-graphic-design-and-how-to-escape-from-it-by-ruben-pater","title":"CAPS LOCK: HOW CAPITALISM TOOK HOLD OF GRAPHIC DESIGN, AND HOW TO ESCAPE FROM IT by Ruben Pater","description":"\u003cp\u003eCapitalism could not exist without the coins, notes, documents, graphics, interfaces, branding and advertisements; artefacts that have been (partly) created by graphic designers. Even anti-consumerist strategies such as social design and speculative design are being appropriated within capitalist societies to serve economic growth. It seems that design is locked in a system of exploitation and profit, a cycle that fosters inequality and the depletion of natural resources.\u003c\/p\u003e\n\u003cp\u003eCAPS LOCK uses clear language and striking visual examples to show how graphic design and capitalism are inextricably linked. The book contains many case studies of designed objects related to capitalist societies and cultures, and also examines how the education and professional practice of (graphic) designers supports the market economy and how design practice is caught within that very system.\u003c\/p\u003e\n\u003cp\u003eThe content of CAPS LOCK is structured in chapters with titles of professions that designers can occupy (such as Educator; Engineer, Hacker, Futurist, Activist, etc.). These titles respond to the importance of not just how designers make work, but also how they perform daily economic and social roles.\u003cbr\u003e\u003cbr\u003eEach chapter is divided into coherent articles in which diverse examples of objects and design practices are relayed. The book also features examples of radical design collectives, that work towards alternatives between design, community and reciprocity.\u003c\/p\u003e\n\u003cp\u003eRuben Pater (1977, NL) works under the name Untold Stories on visual stories that support solidarity, justice and equality. Pater teaches graphic design and the MA Non-Linear Narrative at the Royal Academy of Art in The Hague.\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":42713084330242,"sku":"","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/Caps_Lock.jpg?v=1754056634"},{"product_id":"on-the-necessity-of-gardening-an-abc-of-art-botany-and-cultivation-by-laurie-cluitmans","title":"ON THE NECESSITY OF GARDENING: AN ABC OF ART, BOTANY AND CULTIVATION by Laurie Cluitmans","description":"\u003cp\u003eFor centuries, the garden has been regarded as a mirror of society, a microcosm, in which the broader relationships between nature and culture are played out on small scale. From this long cultural tradition also raises a call for a new awareness of our relationship with the Earth.\u003c\/p\u003e\n\u003cp\u003eOn the Necessity of Gardening tells the story of the garden as a rich source of inspiration. Over the centuries, artists, writers, poets and thinkers have each described, depicted and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems.\u003c\/p\u003e\n\u003cp\u003eHowever, the garden is not just a neutral place and intended solely for personal pastime, it is a place where the world manifests itself and where the relationship between culture and nature is expressed. In the eighteenth century this image shifted: the garden became a symbol of worldly power and politics. The Anthropocene, the era in which man completely dominates nature with disastrous consequences, is forcing us to radically rethink the role we have given nature in recent decades.\u003c\/p\u003e\n\u003cp\u003eThere is a renewed interest in the theme of the garden among contemporary makers. It is not a romantic desire that drives them, but rather a call for a new awareness of our relationship with the earth, by connecting different fields of activity in landscape, art and culture. Through many different essays and an extensive abecedarium, On the Necessity of Gardening reflects on the garden as a metaphor for society, through concepts such as botanomania and capitalocene, from guerrilla gardening to queer ecology and zen garden.\u003c\/p\u003e\n\u003cp\u003eLaurie Cluitmans (b. 1984, NL) works as a curator of contemporary art for the Centraal Museum in Utrecht and is also an independent art critic. In 2016 she received the Prize for Young Art Criticism for her essay on the garden by Derek Jarman and Ian Hamilton Finlay.\u003c\/p\u003e\n\u003cp\u003eOn the Necessity of Gardening appears simultaneous with the exhibition The botanical revolution, on the necessity of art and gardening that will be on view from 11 September 2021 to 9 January 2022 in the Centraal Museum in Utrecht (NL). The publication is categorically not an exhibition catalogue, but is positioned as an autonomous project. Both the exhibition and publication stem from a longer-term research by Laurie Cluitmans into the development of the cultural-historical, philosophical and social significance of the garden in relation to our current way of life.\u003c\/p\u003e\n\u003cp\u003eContributors: Maria Barnas, Jonny Bruce, Laurie Cluitmans, Thiëmo Heilbron, Liesbeth M. Helmus, Erik A. de Jong, René de Kam, Alhena Katsof, Jamaica Kincaid, Bart Rutten, Catriona Sandilands, Patricia de Vries. Design: Bart de Baets.\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":42713084363010,"sku":"","price":29.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC00633.jpg?v=1651330366"},{"product_id":"the-works-of-guillaume-dustan-vol-1-by-guillaume-dustan","title":"THE WORKS OF GUILLAUME DUSTAN, VOL. 1 by Guillaume Dustan","description":"\u003cp\u003eGuillaume Dustan's first three novels, published in France between 1996 and 1998, describing the narrator's sexual odyssey through a Paris still haunted by AIDS.\u003c\/p\u003e\n\u003cp\u003eThis volume collects a suite of three wildly entertaining and trailblazing short novels by the legendary French anti-assimilationist LGBTQ+ writer Guillaume Dustan. Published sequentially in France between 1996 and 1998, the three novels are exuberant and deliberately affectless accounts of the narrator's sexual odyssey through a Parisian club and bath scene still haunted by AIDS.\u003c\/p\u003e\n\u003cp\u003eIn My Room (1996) takes place almost entirely in the narrator's bedroom. The middle volume, I'm Going Out Tonight (1997), finds him venturing out onto the gay scene in one long night. Finally, in Stronger Than Me (1998), the narrator reflects on his early life, which coincided with the appearance and spread of the AIDS virus in France.\u003c\/p\u003e\n\u003cp\u003eA close contemporary of Dennis Cooper, Brett Easton Ellis, Kevin Killian, and Gary Indiana, Guillaume Dustan offer deadpan autofiction that is at once satirical and intimate, and completely contemporary.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713084887298,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02494.jpg?v=1669738670"},{"product_id":"the-letters-of-mina-harker-by-dodie-bellamy","title":"THE LETTERS OF MINA HARKER by Dodie Bellamy","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe Letters of Mina Harker\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eDodie Bellamy\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSemiotext(e)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e272\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e153 x 230 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2021\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eBellamy's debut novel revives a minor character from Bram Stoker's Dracula and imagines her as an independent woman living in San Francisco during the 1980s.\u003c\/p\u003e\n\u003cp\u003eHypocrisy's not the problem, I think, it's allegory the breeding ground of paranoia. The act of reading into—how does one know when to stop? KK says that Dodie has the advantage because she's physical and I'm “only psychic.” … The truth is: everyone is adopted. My true mother wore a turtleneck and a long braid down her back, drove a Karmann Ghia, drank Chianti in dark corners, fucked Gregroy Corso … —Dodie Bellamy, The Letters of Mina Harker\u003c\/p\u003e\n\u003cp\u003eFirst published in 1998, Dodie Bellamy's debut novel The Letters of Mina Harker sought to resuscitate the central female character from Bram Stoker's Dracula and reimagine her as an independent woman living in San Francisco during the 1980s—a woman not unlike Dodie Bellamy. Harker confesses the most intimate details of her relationships with four different men in a series of letters. Vampirizing Mina Harker, Bellamy turns the novel into a laboratory: a series of attempted transmutations between the two women in which the real story occurs in the gaps and the slippages. Lampooning the intellectual theory-speak of that era, Bellamy's narrator fights to inhabit her own sexuality despite feelings of vulnerability and destruction. Stylish but ruthlessly unpretentious, The Letters of Mina Harker was Bellamy's first major claim to the literary space she would come to inhabit.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713084920066,"sku":"","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02448.jpg?v=1669738646"},{"product_id":"reallife-magazine-selected-writings-and-projects-1979-1994","title":"REAL LIFE MAGAZINE: SELECTED WRITINGS AND PROJECTS 1979–1994 by Miriam Katzeff, Thomas Lawson, Susan Morgan","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eREALLIFE Magazine: Selected Writings and Projects 1979–1994\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eMiriam Katzeff, Thomas Lawson, Susan Morgan\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003ePrimary Information\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e320\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e210 x 270 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eREALLIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists’ projects from REALLIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REALLIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine through its 15 year history, traces the influences, development and transitions of artists through the 80s.\u003c\/p\u003e\n\u003cp\u003eThe anthology features writings by and about Dara Birnbaum, Eric Bogosian, Rhys Chatham, Mark Dion, Jack Goldstein, Felix Gonzalez-Torres, Kim Gordon, Dan Graham, Thomas Lawson, Louise Lawler, Sherrie Levine, Allan McCollum, John Miller, Dave Muller, Matt Mullican, Adrian Piper, Richard Prince, David Robbins, Ed Ruscha, Cindy Sherman, Laurie Simmons, Michael Smith, John Stezaker, Bernard Tschumi, Jeff Wall, Lawrence Weiner, and James Welling among others.\u003c\/p\u003e\n\u003cp\u003eEdited by Miriam Katzeff, Thomas Lawson, and Susan Morgan with introductions by Matthew Higgs, Thomas Lawson, and Susan Morgan.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713084985602,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC07957-e1566142984330.jpg?v=1651330370"},{"product_id":"see-red-womens-workshop-feminist-posters-1974-1990","title":"SEE RED WOMENS WORKSHOP: FEMINIST POSTERS 1974-1990 by Sheila Rowbotham","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSee Red Womens Workshop: Feminist Posters 1974-1990\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSee Red Women’s Workshop, Sheila Rowbotham\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eFour Corners\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e184\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e220 x 310 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2016\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eFounded in 1974, See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change.\u003c\/p\u003e\n\u003cp\u003eWritten by See Red members, detailing the group’s history, the book features all of their original screenprints, alongside posters commissioned for radical groups and campaigns. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation — and have continued relevance for today.\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713085083906,"sku":"","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC08479.jpg?v=1651330359"},{"product_id":"come-alive-the-spirited-art-of-sister-corita","title":"COME ALIVE! 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But, at the end of the decade and at the height of her fame and prodigious work rate, she left the convent where she had spent her adult life.\u003c\/p\u003e\n\u003cp\u003eJulie Ault's book is the first to examine Corita's life and career, containing more than 90 illustrations, many reproduced for the first time, capturing the artist's use of vibrant and day-glo colours.\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713085346050,"sku":"","price":15.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/Come_Alive.jpg?v=1764254822"},{"product_id":"again-a-time-machine-from-distribution-to-archive","title":"AGAIN, A TIME MACHINE: FROM DISTRIBUTION TO ARCHIVE by Gavin Everall, Jane Rolo","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eAgain, A Time Machine: From Distribution to Archive\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eGavin Everall, Jane Rolo\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eBook Works\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e224\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e255 x 388 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2012\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eWhy Distribute? 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Specifically engaging with the circuits of practice that have materialised in the form of books, writing, magazines, language, spoken word, performative research and archival practice.\u003c\/p\u003e\n\u003cp\u003eContributors include: A Estante, An Endless Supply, AND, Banner Repeater, Claire Makhlouf Carter, Eastside Projects, Maria Fusco, Dora García, Melissa Gronlund, Sam Hasler, Stewart Home, Ian Hunt, Jonathan Monk, Apexa Patel, Mark Pawson, Bridget Penney, Pil \u0026amp; Galia Kollectiv, Plastique Fantastique, Sarah Pierce, Laure Prouvost and Rory Macbeth, Publish And Be Damned, John Russell, Slavs and Tatars, Spike Island, Barry Sykes, The Serving Library, The Showroom, Torpedo, Ubuweb, Marina Vischmidt, McKenzie Wark, White Columns and X Marks the Bökship.\u003c\/p\u003e","brand":"Book Works","offers":[{"title":"Default Title","offer_id":42713085444354,"sku":"","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC06057.jpg?v=1651330410"},{"product_id":"true-print","title":"TRUE PRINT: DAFI KÜHNE by Dafi Kühne","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eTrue Print: Dafi Kühne\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eReto Caduff, David Shields, Rudolf Barmettler\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eLars Müller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e152\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e240 x 300 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eHardcover\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2016\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eDafi Kühne is a Swiss designer who works with analogue and digital techniques to produce fresh and unique letterpress-printed posters. Using very different kinds of tools — from a computer to a pantograph — for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Dafi Kühne embraces the labor involved in the entire process of creating a poster, from initial idea to finished product. Fusing modern means with the century-old tradition of letterpress, he forms a new vocabulary for how to communicate through type and form in a truly contemporary way. Never retro, his work is a clever response to the search for new possibilities of graphic expression: true print.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713085477122,"sku":"","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02984.jpg?v=1651330393"},{"product_id":"japanese-bookbinding-instructions-from-a-master-craftsman","title":"JAPANESE BOOKBINDING: INSTRUCTIONS FROM A MASTER CRAFTSMAN by Kojiro Ikegami","description":"\u003ctable width=\"100%\" data-mce-selected=\"1\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eJapanese Bookbinding: Instructions from a Master Craftsman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKojiro Ikegami\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eWeatherhill\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e127\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e195 x 265 mm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eHardcover\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e2012\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\"A third-generation traditional bookbinder gives easy-to-follow instructions for making all the major, historically important styles of Japanese bindings as well as traditional book cases-the custom-made folding boxes that afford handsome protection for Japan's exquisite books.\u003c\/p\u003e\n\u003cp\u003eThe authoritative text, written by one of Japan's leading professional bookbinders, has been fully adapted for Western readers. Both American and Japanese suppliers of traditional tools and materials are provided and substitutes are recommended for items not readily available.\u003c\/p\u003e\n\u003cp\u003eFor centuries the West has admired Japanese books, but only now can we make them ourselves and take full advantage of their creative possibilities. Stunning and practical, these bindings are ideal for preserving calligraphy, letters, artwork, and poems, for adding a distinctive touch to limited-edition books, and for use as diaries or gifts.\"\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713085542658,"sku":"","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02253.jpg?v=1651330392"},{"product_id":"ufo-drawings-from-the-national-archives","title":"UFO DRAWINGS FROM THE NATIONAL ARCHIVES by David Clarke","description":"\u003cp\u003eOriginally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. 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Inspired by the Atelier Populaire, set up in Paris in May 1968, the posters were made quickly to respond to what was needed, on a great number of themes: Vietnam, Northern Ireland, housing, workers rights, and revolution.\u003c\/p\u003e\n\u003cp\u003eThe Poster Workshop existed at an exceptional time. It thrived on the energy generated by the belief that huge changes were possible, through movements for equality, civil rights, freedom and revolution. It was an expression of that time - of excitement, change and hope.\u003c\/p\u003e\n\u003cp\u003eThis book is the third in the Irregulars series of aspects of modern British visual history. 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For the more experienced, the author also covers how to work with leather to create classic, professional bindings.\u003c\/p\u003e\n\u003cp\u003eTopics include: Single-section bindings; paperback and hardback Multi-section bindings; full cloth case, photograph album, quarter leather binding with paper or cloth-covered sides, and wrap-around structure Containers; phase box, slipcase and portfolio case.\u003c\/p\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":42713090031874,"sku":"","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC05623.jpg?v=1651330510"},{"product_id":"meat-collage-and-assorted-sculpture","title":"Meat Collage and Assorted Sculpture","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eMeat Collage and Assorted Sculpture\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eJosh Bartrum\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSelf-published\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e12\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e195 x 250 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eMeat Collage and Assorted Sculpture\u003c\/em\u003e brings together paintings, drawings, and photographs by Josh Bartrum of ubiquitous yet often overlooked high street shop signages of south London. 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Do better with the next release.’ I was too surprised to be angry. I also didn’t learn my lesson, and they didn’t carry the next record we put out either. The lesson I did learn, maybe not for a long time, is that I only really care about the records that take pages to describe.\u003c\/p\u003e\n\u003cp\u003eThe Grass is Green in the Fields for You is overjoyed to present a project which has been in the making—and mind—for some time: Fix The Mirrors by Ethan Swan. This collection, which starts itself in the year of 2000, collects writings on music and DIY activity from Swan’s back-catalogue. Musically it is broad, we begin with Meltdown moving to Shudder To Think; singular considerations on tracks by Tracey Thorn, Unrest and Jane’s Addiction. Further focuses on Saturday Looks Good to Me, Roy Harper, Panax, Slick Rick. There are documentary works and interviews covering Felix Kubin, The Homosexuals, Graham Lambkin \u0026amp; Spencer C. Yeah, Cass McCombs, and Bridget Cross. An expansive amount of ground is covered in this single collection, and this isn't the start of the wealth Swan has created. The writing is immediate, thoughtful, touching and honest—just like Ethan. Meticulously crafted, the painstaking layout is accompanied by photographs by Lisa Anne Auerbach documenting 1980’s Chicago punk shows—it seemed perfectly fitting to include them. It would not be an exaggeration to state that The Grass is Green in the Fields for You was born out of a love for projects like this and this publication is our proudest moment yet.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713090752770,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC08972.jpg?v=1651330519"},{"product_id":"the-natural-enemies-of-books","title":"NATURAL ENEMIES OF BOOKS: A MESSY HISTORY OF WOMEN IN PRINTING AND TYPOGRAPHY by MMS","description":"\u003cp\u003eThe Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. 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However, they have within them hidden properties that can be activated: construction workers set them up as barriers, street vendors use them as weights for their products or pile them to sit on. As the day quietens down the stones are left behind; sometimes just randomly, othertimes carefully stored on a corner. What I couldn’t help but see were a never ending series of potential sculptures—performed daily as a result of practicalities that shift with each changing user. …”\u003c\/p\u003e","brand":"Mark Pezinger","offers":[{"title":"Default Title","offer_id":42713091834114,"sku":"","price":10.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC03573.jpg?v=1651330631"},{"product_id":"vision-and-reality","title":"VISION AND REALITY by Stephen Willats","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eVision and Reality\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eStephen Willats\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eUniformbooks\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e288\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e142 x 232 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2016\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e“All art is a product of society, of relationships between people in which it is quite clear that the most important element in the network between the artist and society is the audience. For without two people there can be no work of art.”\u003c\/p\u003e\n\u003cp\u003eThis book presents a wide selection of interviews and photographs from the collaborations between Willats and residents in the many housing estate projects he makes. The first-hand observations and individual opinions, from the past four decades, record a variety of attitudes and perceptions towards the physical reality of their surroundings. Created outside of the norms and conventions of an object-based art world, the projects in this book, mainly on estates in and around London, but also in Bath, Leeds, Milton Keynes and Oxford, highlight the realities of everyday life in both tower blocks and low-rise planned housing. Willats’ work, based on open agreement, transforms peoples’ perceptions of a deterministic culture of objects and monuments, into the possibilities, and rich complexity, inherent in the community between people.\u003c\/p\u003e\n\u003cp\u003eOver 500 black and white photographs.\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":42713092358402,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC01181.jpg?v=1651330602"},{"product_id":"the-new-womans-survival-catalog","title":"THE NEW WOMAN'S SURVIVAL CATALOG by Kirsten Grimstad and Susan Rennie","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eThe New Woman's Survival Catalog\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eKirsten Grimstad, Susan Rennie\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003ePrimary Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e210\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e265 x 360 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003ePublished in 1973, The New Woman’s Survival Catalog is a seminal survey of Second Wave feminist efforts, which, as the editors noted in their introduction, represented an “active attempt to reshape culture through changing values and consciousness.” Assembled by Kirsten Grimstad and Susan Rennie in only five months, The New Woman’s Survival Catalog makes a nod to Stewart Brand’s influential Whole Earth Catalog (1968-71) to map a vast network of feminist alternative cultural activity in the 1970s. Grimstad and Rennie set out on a two month road trip in the summer of 1973, meeting and interviewing all the featured organizations and individuals, and gathering information and further references along the way to complete the publication. From arts organizations to bookstores and independent presses, health, parenting, and rape crisis centers, and educational, legal and financial resources, this book provides crucial insight into feminist initiatives and activism nationwide during the Women’s Movement. Styled as a sales catalog, The New Woman’s Survival Catalog comprises listings and organizational descriptions, articles, and extensive illustrations, as well as a “Making the Book” section, detailing the publication’s production.\u003c\/p\u003e\n\u003cp\u003eKirsten Grimstad and Susan Rennie are the co-editors of The New Woman’s Survival Catalog (Berkeley Publishing Company, 1973) and The New Woman’s Survival Sourcebook (Knopf, 1975). They went on to co-found Chrysalis: A Magazine of Women’s Culture, published out of the Woman’s Building in downtown Los Angeles from 1977-1981. Kirsten Grimstad was born in Wauwatosa, Wisconsin, and earned a Ph.D. in Comparative Literature from the Union Institute \u0026amp; University (Cincinnati) after receiving a BA at Barnard College and an MA at Columbia University. She is currently Co-Chair of Undergraduate Studies at Antioch University, Los Angeles, and past Chair of the Getty Villa Council. Her research centers on German literature and public memory about the Holocaust, and she is the author of The Modern Revival of Gnosticism and Thomas Mann’s Doktor Faustus (Camden House, 2002). Susan Rennie earned a BA from Barnard College and received a Ph.D. in Political Philosophy from Columbia University. She taught Social Sciences at Union Institute \u0026amp; University, worked as a women’s health activist, and lives in Venice, California.\u003cbr\u003e\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713092391170,"sku":"","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC09546.jpg?v=1651330640"},{"product_id":"experimental-jetset-full-scale-false-scale","title":"EXPERIMENTAL JETSET FULL SCALE FALSE SCALE by Experimental Jetset","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eExperimental Jetset Full Scale False Scale\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eExperimental Jetset\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eRoma Publications\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e280\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e110 x 180 mm\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eFour years after 'Statement and Counter-Statement' (2015), Experimental Jetset returns with their second paperback for Roma Publications. Whereas the previous publication had a more overall monographic scope, 'Full Scale False Scale' focuses on a single project: the large, site-specific installation that the studio recently created for the Museum of Modern Art in New York, commissioned to coincide with the museum’s reopening in October 2019. Part reader, part collage, the book forms a subjective archive of research material, just as constructed as the installation itself – an investigation that took them from esoteric colour theories to dark political alliances, and from modernist diagonals to postmodern arches.\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713093144834,"sku":"","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02093-1.jpg?v=1651330666"},{"product_id":"crack-up-crack-down-the-33rd-ljubljana-biennial-of-graphic-arts","title":"CRACK UP – CRACK DOWN: THE 33RD LJUBLJANA BIENNIAL OF GRAPHIC ARTS by Slavs and Tartars, M. Constantine","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eCRACK UP – CRACK DOWN: The 33rd Ljubljana Biennial of Graphic Arts\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSlavs and Tatars, M. Constantine\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eMousse Publishing\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e122\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e230 x 284 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eEssays on graphics and satire: Slavs and Tatars curate the 33rd Ljubljana Biennial of Graphic Arts.\u003c\/p\u003e\n\u003cp\u003e“We live in sour times, and such sour times require sweet-and-sour methods. With the rise of social media, comedians as politicians, and populism, there has recently been vigorous debate over who constitutes ‘the people.’ For more than a couple millennia, satire has been a particularly contested genre to explore such questions, via varying degrees of serious invective or jocular teasing. Is each joke, as George Orwell maintained, a tiny revolution? Or does laughter and satire deflate the pressures and tension which could otherwise lead to political upheaval?”—Slavs and Tatars\u003c\/p\u003e\n\u003cp\u003eAs the accessibility of print brought about a proliferation of satirical periodicals in the early 20th century (Slovenia’s Pavliha, Germany’s Simplicissimus, the UK’s Punch, France’s l’Assiette au Beurre, or the Caucasus’ Molla Nasreddin to name a few), so too has the current digital age provided a particularly fertile avenue for satire, one which is fundamentally graphic, be it the meme or the protest poster. Though each enjoys a distinct history, both the graphic arts and satire claim to speak for and to the people.\u003c\/p\u003e\n\u003cp\u003eTexts by Hamja Ahsan, Emily Apter, M. Constantine, David Crowley, Arthur Fournier \u0026amp; Raphael König, Augustin Maurs, Metahaven, Alenka Pirman \u0026amp; KULA, Mohammad Salemy, Vid Simoniti, Slavs and Tatars, Goran Vojnović\u003c\/p\u003e","brand":"Antenne","offers":[{"title":"Default Title","offer_id":42713094226178,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC03250.jpg?v=1651330655"},{"product_id":"inside-a-gleaming-feeling","title":"INSIDE A GLEAMING FEELING by Craig Pollard","description":"\u003ctable width=\"100%\" data-mce-selected=\"1\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eInside a Gleaming Feeling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCraig Pollard\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eThe Grass is Green in the Fields for You\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e148\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e120 x 180 mm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\" data-mce-fragment=\"1\"\u003e2020\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eA collection of conference papers, lectures and excerpts on music, art making and the internet by Newcastle based practitioner Craig Pollard.\u003c\/p\u003e\n\u003cp\u003eInside a Gleaming Feeling is a slender collection of texts commodious in scope, constantly inhabiting the paradoxes and contradictions at which it points its compass, or - in the case of the metamodernist metaphor cited in the chapter for a while now, I’ve at least had a sense that whatever it is I am living is not something that is entirely resolved by the usual categories I have inherited - the pendulum oscillating between “innumerable poles”. Not with an exhausted drag from one portal, gate, debate, stage, screen or field to the next, but a delicate gathering force in dialogue with the present and its permutations. The texts gathered here enact an intersectional feminist praxis, a commitment to show all sides of this potent dodecahedron called ~culture. Craig’s is a goal not of placing this apart from that in binaried opposition, but tracing the threads and their interlopers, the ways in which they fold, crack and foreground “fissures of possibility”. Read its title Inside a Gleaming Feeling as its “feeling structure”, a phrase which by the author’s own confession made its first attempt at utterance as a line which never made it into a song, could not be smoothly patterned in, but poses a fitting fly poster to read this book with. To gleam is to “shine brightly, especially with reflected light” and so the question leans: how is it even possible to be inside a reflection, fleeting brief and shiny? This contradictive something at the tip of the tongue is the positive inarticulation of the hook or the hashtag, bobbing its head to the rhythm of “paradox as constitutive to contemporary experience.”\u003c\/p\u003e\n\u003cp\u003eCraig Pollard is a music maker and artist based in Newcastle, UK. He is also an academic and part time lecturer, having completed a practice-led PhD about the politics of contemporary music making and creative practice in 2018. He makes music and performs under the name Competition and intermittently hosts music and art events as one half of Wild Pop.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713094291714,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC02419.jpg?v=1651330714"},{"product_id":"make-ink-a-foragers-guide-to-natural-inkmaking","title":"MAKE INK: A FORAGER'S GUIDE TO NATURAL INKMAKING by Jason Logan","description":"\u003cp\u003eThe Toronto Ink Company was founded in 2014 by designer and artist Jason Logan as a citizen science experiment to make eco-friendly, urban ink from street-harvested pigments. In Make Ink, Logan delves into the history of inkmaking and the science of distilling pigment from the natural world. Readers will learn how to forage for materials such as soot, rust, cigarette butts, peach pits, and black walnut, then how to mix, test, and transform these ingredients into rich, vibrant inks that are sensitive to both place and environment. Organized by color, and featuring lovely minimalist photography throughout, Make Ink combines science, art, and craft to instill the basics of ink making and demonstrate the beauty and necessity of engaging with one of mankind’s oldest tools of communication.\u003c\/p\u003e","brand":"Gardners","offers":[{"title":"Default Title","offer_id":42713094586626,"sku":"","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/Make-Ink.png?v=1765274685"},{"product_id":"ecart-1969-1980","title":"ECART (1969–1980) by Lionel Bovier, Christophe Cherix","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eEcart (1969–1980)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eLionel Bovier, Christophe Cherix \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eJRP|Ringier\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e64\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e105 x 165 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2012\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe book focuses on Swiss artist John Armleder’s early Fluxus-related works with Ecart, a group Armleder founded with Patrick Lucchini and Claude Rychner in Geneva in the late 1960s. The Ecart Group published artists’ books, presented exhibitions and performances, and opened a bookstore\/gallery that is considered to be ‘one of the most important alternative spaces in Europe in the 1970s’ (Ken Friedman). Ecart worked with many artists including Dick Higgins, Lawrence Weiner, Annette Messager, Daniel Spoerri, Giuseppe Chiari, Maurizio Nannucci, and Ben. Published with the Charles H. Scott Gallery, Emily Carr Institute of Art \u0026amp; Design, Vancouver.\u003c\/p\u003e","brand":"Cornerhouse Publications","offers":[{"title":"Default Title","offer_id":42713095962882,"sku":"","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC03476.jpg?v=1651330783"},{"product_id":"the-emblematic-cabinet-an-improvisatory-transcript-by-hanakam-schuller","title":"THE EMBLEMATIC CABINET: AN IMPROVISATORY TRANSCRIPT by Hanakam \u0026 Schuller","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe Emblematic Cabinet: An Improvisatory Transcript \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eHanakam \u0026amp; Schuller\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eMark Pezinger Books\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e76\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e100 x 145 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eIn 1924, the Philadelphia architect Horace Trumbauer was commissioned by tobacco millionaire and plantation owner, James Buchanan Duke, to develop and expand the existing Trinity College campus of Duke University Durham, North Carolina. The resulting design, produced by Trumbauer’ office in collegiate Gothic style, were ultimately the work of Afro-American architect Julian F.Abele – at a time when segregation laws prohibited him from even setting foot on the campus. The neo-Gothic style of the Duke campus is extensive stylistically eclectic. There are seals of renowned European and North American universities; ecclesial heraldry is mixed with apparently contemporary stonemasonry. Mixed in with this, early 20th-century artefacts (also for instance, the symbol of a film camera) can be seen on heraldic shields. Duke student Nicholas Chrapliwy and art-history professor Paul B. Jaskot have improvised image analyses of these enigmatic emblems and heraldic features. They will, however remain hidden to you, the reader.\u003c\/p\u003e\n\u003cp\u003eEnglish, edition: 600, design by Astrid Seme, no.4 of the Black Forest Library\u003c\/p\u003e","brand":"Mark Pezinger","offers":[{"title":"Default Title","offer_id":42713096126722,"sku":"","price":11.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC03571.jpg?v=1651330786"},{"product_id":"as-celebration-as-critique-as-play-ron-hunt-selected-writings-1957-2020-by-matthew-stuart-andrew-walsh-lister","title":"AS CELEBRATION, AS CRITIQUE, AS PLAY: RON HUNT, SELECTED WRITINGS (1957–2020) by Ron Hunt","description":"\u003cmeta charset=\"UTF-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eAs Celebration, As Critique, As Play: Ron Hunt, Selected Writings (1957–2020)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eRon Hunt, Andrew Walsh-Lister, Matthew Stuart\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBricks from the Kiln\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e224\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e148 x 210 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe first standalone title on the BFTK imprint, ‘As Celebration, As Critique, As Play’ pulls together selected writings by Ron Hunt across his varied career as a writer, librarian, curator, critic and self described ‘lapsed anarchist’.\u003c\/p\u003e\n\u003cp\u003eStructured as a ‘biographic bibliography’ supplemented with annotations and contextual notes, ‘As Celebration, As Critique, As Play’ combines commissioned writing and previously unpublished texts that range from exhibition catalogue essays and détourned Q\u0026amp;As, to A–Z indexes and cherry-picked readers.\u003c\/p\u003e\n\u003cp\u003eWritings reproduced in full include: Francis Picabia: Introduction (1964) Yves Klein: A Mythopoeic of the Plurisignative (1967) The Arts in Our Time (1968) We Are Revealing New Pages of Art in Anarchy’s New Dawns (1968) Interview with Brigitte Bardot (1969) (preview) Poetry must be made by all! \/ Transform the world! (1969) An Interview with Pontus Hultén, Stockholm 1981 (1971) For Factography! (1976) Andreas Gursky (1999) Kalf: A Late Perspective (2000) Dreams of \/ Fears of …… Flying (2009) Fourier \/ Breton \/ Cherries (2017) Hélène Cixous or Waiting for Tears (2018) Some Books of Barbara Bloom (2019) A Very Brief Dictionary in the Vicinity of Situationism (2019) ‘Recovery’ \/ Is Recovery Possible (2020) with photographs by Tom McCaughan typeset in Janson Max Neue by Dinamo \u0026amp; Sam de Groot\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713096257794,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/IMG_4975.jpg?v=1651330744"},{"product_id":"modern-typography-an-essay-in-critical-history-by-robin-kinross","title":"MODERN TYPOGRAPHY: AN ESSAY IN CRITICAL HISTORY by Robin Kinross","description":"\u003cp\u003eSituating the birth of modern typography around 1700, when it started to be distinct from printing, Robin Kinross introduces in Modern Typography a new understanding of the subject: as something larger and more deeply rooted than a modernism of style, echoing Jürgen Habermas’s proposition that modernity is ‘a continuing project’. Starting with the early years of the Enlightenment in France and Britain, different cultures and countries successively become the focus for the discussion as they gain significance. Examining the social, technical and material contexts in which typographers operate, the argument also considers principles and explanations of practice. This essay is seminal in many ways, providing a lively and critical narrative of historical development, a springboard for further investigation, and reproductions of not-often seen items.\u003c\/p\u003e\n\u003cp\u003e‘This is a book to read and reread. It is provocative, dense, opinionated, and thoroughly original. […] It deserves to become a classic.’\u003cbr\u003eAlastair Johnston, Bookways\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713096618242,"sku":"","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/files\/modern_typography.jpg?v=1765283823"},{"product_id":"the-context-by-alexandro-segade","title":"THE CONTEXT by Alexandro Segade","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eThe Context\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eAlexandro Segade\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003ePrimary Information\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e96\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e170 x 260 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe Context reimagines the superhero comic book as a queer parable of belonging. The story follows six powerful beings from different worlds who find themselves inexplicably adrift together in an otherwise lifeless void: Biopower, Cathexis, Barelife, Objector, Drives, and Form. The characters, each named for a concept drawn from critical theory, engage one another in skintight fight scenes that often look like sex scenes, and philosophical debates masked as exposition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs a lifelong fan and a more recent critic of the superhero genre, artist and performer Alexandro Segade approached his first graphic novel as a solo performance, acting out all the roles: writer, penciller, inker, colorist and letterer. The Context considers the form of the graphic novel through conceptual, minimalist, op art, and constructivist aesthetics, while paying homage to the great cosmic comics of the 1970s and ’80s: Silver Surfer, Legion of Super Heroes, Green Lantern, Adam Warlock and X-Men (to name a few). A meditation on group dynamics, composed of foreshortened figures in flight set against an endless field of stars, The Context illustrates a vastness that extends past the boundaries of different art forms and ways of being.\u003c\/p\u003e\n\u003cp\u003eAlexandro Segade is an interdisciplinary artist based in New York, whose solo work has been the subject of exhibition at the Broad, REDCAT, LAXART, Yerba Buena Center for the Arts, TBA Festival in Portland, MoMA PS1, Park Avenue Armory in New York City, and Fisher Center for the Performing Arts at Bard College. Since 2000, Segade has worked with Malik Gaines and Jade Gordon in My Barbarian, a performance art collective included in the Whitney Biennial, two Performa Biennials, and the subject of a solo exhibition at the New Museum in 2016 and a forthcoming survey at the Whitney Museum. In 2014, Segade co-founded A.R.M., with Malik Gaines and Robbie Acklen, a collective exploring queer histories. Segade’s writing on art, comics, culture and performance has been published in Artforum, Yale Theater Journal, and Queer (Whitechapel: Documents of Contemporary Art), and he is co-host and co producer of queer comics podcast Super Gay! Segade is discipline co-chair of Film \/ Video at Bard College MFA, and distinguished lecturer in Art and Art History at Hunter College.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713096651010,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/IMG_2850-scaled.jpg?v=1651330763"},{"product_id":"e9-85-8d-e8-89-b2-e8-be-9e-e5-85-b8-a-dictionary-of-color-combinations-by-sanzo-wada","title":"A DICTIONARY OF COLOR COMBINATIONS [配色辞典] by Sanzo Wada","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eA Dictionary of Color Combinations [\u003cmeta charset=\"utf-8\"\u003e配色辞典]\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eSanzo Wada\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSeigensha\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e354\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e100 x 160 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover, Japanese and English\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-fragment=\"1\" data-mce-style=\"width: 68.6669%;\"\u003e2010\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe original 6-volume work Haishoku Soukan 配色辞典 (The complete collection of color combinations), from which this booklet is derived, was published from 1933 to 1934. The work was compiled in early Showa, which was a turbulent pre-war and post-war period. But it was also a period permeated with a new atmosphere brought on by the influence of western culture.\u003c\/p\u003e\n\u003cp\u003eThis book is a collection of 348 color combinations originated by Sanzo Wada 和田 三造 (1883-1967) who, in that time of increasingly avant-garde and diversified use of color, was quick to focus on the importance of color and laid the foundation for contemporary color research. The concept of \"combining colors” was not generally recognized at the time, so, samplers of color combinations containing specific color combination patterns were highly unusual. Haishoku Soukan was the precursor of such samplers.\u003c\/p\u003e\n\u003cp\u003eSanzo Wada was active as an artist, art school instructor, costume designer for the movies and the theater, and kimono and fashion designer who employed his extensive and versatile talents to do innovative work that centered primarily on visual perception and form.\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713098191106,"sku":"","price":19.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC05095.jpg?v=1651330876"},{"product_id":"e9-85-8d-e8-89-b2-e8-be-9e-e5-85-b8-e5-bf-9c-e7-94-a8-e7-b7-a8-a-dictionary-of-color-combinations-vol-2-by-sanzo-wada","title":"A DICTIONARY OF COLOR COMBINATIONS VOL. 2 [配色辞典 応用編] by Sanzo Wada","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom 1933 to 1934 Sanzo Wada 和田 三造 published a collection of color combinations that was the first of its kind in Japan. In 2010 this classic was reprinted as A Dictionary of Color Combinations, which was applauded as a source of inspiration filled with a captivating array of “hues we didn’t even know existed.”. Now, following on that enduring bestseller, A Dictionary of Color Combinations Volume 2 brings back two more works by Wada published in 1935–1936 and 1938, respectively.\u003c\/p\u003e\n\u003cp\u003eThis second volume of Dictionary of Color Combinations presents 72 color patterns themed on the Japanese seasons and another 165 drawn from early to mid-twentieth-century fashion, interior, and graphic design, making it an indispensable reference for designers, fashion and interior specialists, illustrators, photographers, writers, and indeed anyone engaged in creative work. Featuring: 72 combinations of three to seven colors themed on the twelve months of the Japanese year, valuable as an inspiration source for design, kimono and other apparel, and interiors. 165 color combinations from fashion, interior, and graphic design that capture the ambience of 1910s to 1930s Japan for illustrators and others seeking to re-create the authentic look and feel of the period. Color names in Japanese and English.\u003c\/p\u003e\n\u003cp\u003eSanzo Wada (1883–1967)’s interest in the importance of color prompted him to found the Japan Standard Color Association (present-day Japan Color Research Institute) in 1927. Active not only as a color researcher but also as an artist, fashion designer, and stage and film art director, he received the 1954 Academy Award for Best Costume Design for Gate of Hell and was recognized as a Person of Cultural Merit by the Japanese government in 1958.\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713098256642,"sku":"","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC05093.jpg?v=1651330862"},{"product_id":"the-generals-stork-by-heba-y-amin","title":"THE GENERAL'S STORK by Heba Y. Amin","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe General’s Stork (Research\/Practice 02)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eHeba Y. Amin\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSternberg Press\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e100\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e120 x 180 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eEdited by ANTHONY DOWNEY\u003cbr\u003e With contributions by ADAM HARVEY, ADEL ISKANDAR, HAITHAM MOSSAD, LAURA POITRAS\u003c\/p\u003e\n\u003cp\u003eIn 2013, Egyptian authorities detained a migratory stork for espionage. This incident is the focus of Heba Y. Amin’s The General’s Stork, an ongoing project that investigates the politics of aerial surveillance—against the backdrop of biblical prophecies, drone warfare, and colonial narratives—from a bird’s-eye view. The research that informs The General’s Stork looks at how conquest from the sky—through land surveying, mapping, bombing, and drone technologies—has effectively transformed Western power into a spectacle of high-tech weaponry. Through the lens of paranoia that can lead to a bird being accused of spying, this volume reveals, with the indispensable work of contributors Adam Harvey, Adel Iskandar, Haitham Mossad, and Laura Poitras, the extent to which military techniques of visualization define and ultimately delimit the topography of the Middle East.\u003c\/p\u003e\n\u003cp\u003eHeba Y. Amin is an Egyptian visual artist, researcher and lecturer based in Berlin. She is the co-founder of the Black Athena Collective, the curator of visual art for the MIZNA journal, and one of the artists behind the subversive graffiti action on the set of the television series Homeland which received worldwide media attention. Amin has had recent exhibitions at the 10th Berlin Biennale, 15th Istanbul Biennale, MAXXI Rome, Künstlerhaus Bethanien Berlin, Kalmar Art Museum Sweden, La Villette Paris, FACT Liverpool, Kunsthalle Wien, the Museum of Modern Art in Warsaw, the Kunstverein in Hamburg, Berlin Berlinale 9th Forum Expanded Exhibition, and the IV Moscow International Biennale for Young Art.\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713098322178,"sku":"","price":13.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC06216.jpg?v=1651330831"},{"product_id":"blank-forms-vol-5-aspirations-of-madness-by-lawrence-kumpf-joe-bucciero","title":"ASPIRATIONS OF MADNESS by Lawrence Kumpf, Joe Bucciero","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ctable width=\"100%\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eAspirations of Madness\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eLawrence Kumpf, Joe Bucciero\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eBlank Forms Editions\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e140 x 220 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eEdited by Lawrence Kumpf with Joe Bucciero. Contributors and featured artists include Masayuki Takayanagi, Louise Landes Levi, Joseph Jarman, Catherine Christer Hennix, Charles Stein, Henry Orlov, Maryanne Amacher, Alan Cummings, Bill Dietz, Peter Kastakis, Art Lange, Leo Svirsky, Satoru Obara, and Tomoyuki Chida.\u003c\/p\u003e\n\u003cp\u003eAspirations of Madness, Blank Forms’ fifth collection of archival, unpublished, or newly translated texts, takes its title from a series of interviews with Japanese free jazz pioneer Masayuki Takayangi that were published in Japanese in 1975–76 and are published here in English for the first time. The interviews provide a rare look at Takayanagi’s eccentric practice and personality, both long under-recognized by audiences outside (and often, inside) of Japan. In this respect, the interviews speak to the goals of Blank Forms’ publication enterprise, that is, to expand upon our work in performance programming, record production, and archival preservation, and to foster new dialogues on vanguard art and music from the past 50-plus years. The postwar Japanese history that Takayanagi describes also surfaces in this publication’s opening piece, a poetictribute by the writer and artist Louise Landes Levi to one of Takayanagi’s contemporaries, the poet Kazuko Shiraishi.\u003c\/p\u003e\n\u003cp\u003eAspirations of Madness includes a second Levi poem as well, “A Deep River,” written while at La Monte Young and Marian Zazeela’s Dream House in 2003, while Charles Curtis was rehearsing Just Charles and Cello in the Romantic Chord, a composition by Young that Blank Forms plans to present in Spring 2020.\u003c\/p\u003e\n\u003cp\u003eComplementing this tradition of Japanese free improvisation and poetry is the republication of a 1977 interview with Joseph Jarman, the great composer, poet, and multi-instrumentalist. The interview took place a few months after the publication of Jarman’s book Black Case Volume I \u0026amp; II: Return from Exile, a collection of writings from 1960 to 1977 that Blank Forms had the honor of publishing in a new edition in Fall 2019.\u003c\/p\u003e\n\u003cp\u003eWe also feature Charles Stein’s introduction to Being = Space x Action, a crucial supplement to another recent Blank Forms publication, Poësy Matters and Other Matters by Catherine Christer Hennix. In its specificity and rarity of focus, Stein’s text offers valuable information on a vibrant artistic network of the recent past, as well as an extended look at the evolution of Hennix’s complex practice.\u003c\/p\u003e\n\u003cp\u003eFurther along, Aspirations of Madness features an excerpt from The Tree of Music, a cross-cultural treatise by the Russian musicologist Genrich “Henry” Orlov, the English translation of which has never been published before. The Tree of Music is a sweeping philosophical study of global music and cultures with universalist and spiritualist ambitions, excerpts of which are here selected and introduced by the composer and pianist Leo Svirsky.\u003c\/p\u003e\n\u003cp\u003eAspirations of Madness closes with one of Maryanne Amacher’s final pieces of writing, “The Agreement,” from 2009. The text takes the form of a letter between Amacher and the Open Ended Group, with whom she had planned to collaborate on her final, unfinished project, Lagrange: A Four Part Mini Series.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713098584322,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC05199.jpg?v=1651330883"},{"product_id":"various-borders-placed-together-by-lotte-gertz-charlie-hammond","title":"VARIOUS BORDERS PLACED TOGETHER by Lotte Gertz, Charlie Hammond","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eVarious Borders Placed Together\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eLotte Gertz, Charlie Hammond\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eGood Press\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e44\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e200 x 275 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\"Beautiful new catalogue \/ artists book from Lotte Gertz and Charlie Hammond. Following a Good Press installation at 5 St. Margaret’s Place, the book has been discussed and in the works for a few years. Sometimes it just takes time. Documentation from the exhibition as well as detailed photographs of the pieces from the show, plus some more. There is a special section at the back to show research, drawings and leftovers.\"\u003c\/p\u003e","brand":"Good Press","offers":[{"title":"Default Title","offer_id":42713099305218,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC05921-1.jpg?v=1651330897"},{"product_id":"the-mill-by-jesse-birch-will-holder","title":"THE MILL by Jesse Birch, Will Holder","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eThe Mill\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eJesse Birch, Will Holder\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSternberg Press\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e144\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e140 x 300 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe Mill is the second of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fishing) through contemporary art and writing. This publication responds to forestry: a mobile industry of logging camps that follow the trees; prices that rise and fall; mills that open and close; communities that boom and bust. In The Mill, artworks are accompanied by a multiplicity of voices, including forestry workers, plant ecologists, and indigenous land stewards. Together, these perspectives chart the cultural and material shifts brought about when trees become commodities.\u003c\/p\u003e\n\u003cp\u003eThe Mill is a project that emerged on Vancouver Island to follow a thematic path from the microcosms of the forest floor to the quantifying and processing of lumber and the global distribution of forestry products. Expanded from two exhibitions at the Nanaimo Art Gallery, “Silva Part I: O Horizon” and “Silva Part II: Booming Grounds,” this book examines forgotten or under-acknowledged histories, while considering both local sites and forms of cultural expression that surround international forestry practices.\u003c\/p\u003e\n\u003cp\u003eContributions by E. RICHARD ATLEO (UMEEK), CELESTINE ALECK, MARIAN PENNER BANCROFT, MYRTLE BERGREN, PETER CULLEY, JASON DE HAAN and MIRUNA DRAGAN, WILMER GOLD, AL BERSCH and LESLIE GRANT, BUS GRIFFITHS, ROBERT GUEST, URSULA K. LE GUIN, RICHARD HEBDA, ROBIN WALL KIMMERER, DUANE LINKLATER, LIZ MAGOR, ANNE PASK-WILKINSON, GEORGE SAWCHUK, CAROL SAWYER, W. G. SEBALD, KATHY SLADE, KATE STEFIUK, KIKA THORNE, NANCY TURNER, FRED WAH, ELIAS WAKAN, MERV WILKINSON, ASHES WITHYMAN\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713102450946,"sku":"","price":19.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC07832.jpg?v=1651331009"},{"product_id":"the-rio-tape-slide-archive-book-radical-community-photography-in-hackney-in-the-80s-by-isola-press","title":"THE RIO TAPE\/SLIDE ARCHIVE BOOK: RADICAL COMMUNITY PHOTOGRAPHY IN HACKNEY IN THE 80S by Isola Press","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eThe Rio Tape\/Slide Archive book: Radical community photography in Hackney in the 80s\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eIsola Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e256\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e195 x 255 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe Rio Tape\/Slide Newsgroup was a community project in the 1980s that met in the basement of the Rio Cinema in Dalston, east London. It taught unemployed local young people photography and sound-recording skills and then sent them out to report on Hackney life. The resulting ‘newsreels’ were then shown on screen at the Rio before the main feature.\u003c\/p\u003e\n\u003cp\u003eThe slides were rediscovered in a battered filing cabinet in the Rio basement during renovation work in 2016. They are a treasure trove of radical community photography depicting protests and activism, street scenes, work, play and ‘80s Dalston style.\u003c\/p\u003e\n\u003cp\u003ePart of the proceeds from the book will go to support the Rio (shut since March 2020) and towards a programme of community archiving and youth workshops.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713102516482,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC07967.jpg?v=1651330938"},{"product_id":"on-directing-air-2-2019-peter-bartos-bratislava-zoo-1979-1991-by-petra-feriancova-peter-bartos-mira-keratova-borbala-soos","title":"ON DIRECTING AIR #2: BRATISLAVA ZOO 1979-1991 by Petra Feriancová, Peter Bartoš, Mira Keratová, Borbála Soós","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eOn Directing Air #2: Bratislava Zoo 1979-1991\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003ePetra Feriancová, Peter Bartoš, Mira Keratová, Borbála Soós\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eArchiving Air Press\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e72\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e210 x 298 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe subject of On Directing Air #2 is the Bratislava Zoo in Slovakia and the work of Peter Bartoš who was the resident conceptual artists at the zoo from 1971 to 1990, developing models for the spatial layout of the grounds and designing various living environments for the animals. Many of Bartoš's works, which often evolve and grow more complex over the course of decades, intertwine questions of ecological planning and the shaping of natural settings with issues of liberty and privacy in connection with (national and political) boundaries.\u003c\/p\u003e\n\u003cp\u003e\"The Bratislava zoo was conceived as an intracity zoo, placed into a diverse basic local government, an urban neighborhood called Patrónka-Mlynská dolina, through which the stream Vydrica flows, and which has a downward slope and a partly forested terrain. The original zoo was concentrated alongside this UNESCO protected river, the meanders of which are included in the project of P. Bartoš. Vydrica is positioned next to a highway, due to which the entryway and the main part of the zoo had to be moved to a different location at the beginning of the 80s. Bartoš created a plan respecting the needs of the animals and their ability to adapt to their current conditions with regard to the plan of an extension of the zoo, which happened after the construction of the highway.\u003c\/p\u003e\n\u003cp\u003eBartoš views the zoo primarily as a research facility, a living museum and a genetic bank. As a keeper of animals and a breeder he sees a reason for keeping endangered species. Conceivably the way they managed in the Prague zoo with Przewalski’s horses, Bartoš too wants to renew the breeding of Huculs (Carpathian ponies) for which this country typology is proper. He invites the conceptual artist Koller and the rock climber Bečík. Bartoš is an architect of nature, he builds a hill or a lake and, in his drawings, there are often human constructions and the original terrain all blending into one. In his understanding, the human interference enhances the environment and serves to keep a balance. He designs amorphous architecture pavilions and as he himself says, they are the mold of the original environment and that is why their shape copies their character. Bartoš has a great knowledge of the environment – he has explored it endlessly – this is apparent from his numerous sketches and line drawings, which he has produced over the course of many years. He adds that it is like that with respect to the zoological authority, for example prof. Podhradský or my grandfather prof. Ferianc. The drawings can be perceived as a concept of visions, designs, solutions, which are at the same time ad infinitum enchasing their own form. They are precise and resonate with a specific problem, they are labeled with titles, solutions and legends. It can be said that Bartoš tries to endlessly improve the environment, an ideal picture of the countryside, in which human beings live in harmony and peace with other living beings.\"\u003c\/p\u003e","brand":"Motto","offers":[{"title":"Default Title","offer_id":42713102778626,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC08097-scaled.jpg?v=1651331022"},{"product_id":"on-directing-air-2-2018-zsuzsa-laszlo-dora-maurer-jelena-vesic-juliane-debeusscher-selforganization-and-the-artsystem-in-central-eastern-europe-by-zsuzsa-laszlo-dora-maurer-jelena-vesic-juli","title":"ON DIRECTING AIR #2: SELFORGANIZATION AND THE ARTSYSTEM IN CENTRAL EASTERN EUROPE by Zsuzsa Laszlo, Dora Maurer, Jelena Vesic, Juliane Debeusscher","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eOn Directing Air # 2 2018: Selforganization and the Artsystem in Central Eastern Europe\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eZsuzsa Laszlo, Dora Maurer, Jelena Vesic, Juliane Debeusscher\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eArchiving Air Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e210 x 298 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe theme of self-organization has acquired a wide currency in international art circles. In the times of network cultures and in the wake of the absorption of institutional criticism, critical speakers often talk about growing culture through cooperation and sharing, through platforms and networks, through working outside of 'isolated' and 'traditional' state-run institutions and their representative and repressive socio-political functions. Proliferating declarations of the value of self-organization from an ever-increasing number of (so-called) 'independent' cultural actors, regardless of their actual material ties to institutions of culture and governance. In the similar manner, the global art history in its post-colonial sweep (re) discovers, time and again, independent art movements and self-organized cultures of the (former) East. In the mirror of global contemporaneity the Eastern independents are often observed in the harbingers of freedom, experiment, innovation and risk. Art museums trough their monumental white spaces are re-producing the \"second life\" of the documentation of ephemeral actions, informal happenings, and \"secret\" exhibitions over and over again; they monumentalize grained black and white images of Eastern European art experiment in order to confirm the own fantasy-search for what is invisible, forgotten, unrepresented, suppressed, censored, and thus truly free.\u003c\/p\u003e","brand":"Motto","offers":[{"title":"Default Title","offer_id":42713102811394,"sku":"","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC08096-scaled.jpg?v=1651331021"},{"product_id":"rab-rab-journal-issue-05-by-rab-rab-press","title":"RAB-RAB JOURNAL ISSUE #05 by Rab-Rab Press","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eRab-Rab Journal Issue #05\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eRab-Rab Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e279\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e170 x 240 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe new issue of Rab-Rab includes stories about nation traitors, fierce masses, socialist women struggles, love-forms, psychedelic counter-revolutionaries, workers unions, Brecht fiddlers, jazz surrealism, Soviet trains, and anti-fascism.\u003c\/p\u003e\n\u003cp\u003eAmong the contributors to the fifth issue are Anna Thew, Yehuda Safran, Peter Gidal, Cana Bilir-Meier, David Black, Marjo Liukkonen, Alejandro Pedregal, Peter Hallward, Minna Henriksson, and Jyrki Siukonen.\u003c\/p\u003e\n\u003cp\u003eIt has also two extensive dossiers. One dedicated to Franklin Rosemont is presented by Joe Feinberg and is introducing some unpublished and difficult-to-find texts of Rosemont, and writings of T-Bone Slim and Joe Hill. The other dossier on Robert Linhart is presented by Tevfik Rada and it includes translation of a chapter from Linhart's book on productivism, article against Western bourgeois dissidents, and an interview with him.\u003c\/p\u003e\n\u003cp\u003eDesigned by Ott Kagovere, the fifth issue is printed in 600 copies.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713102942466,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC08190.jpg?v=1651331064"},{"product_id":"rab-rab-journal-issue-06-by-rab-rab-press","title":"RAB-RAB JOURNAL ISSUE #06 by Rab-Rab Press","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eRab-Rab Journal Issue #06\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eRab-Rab Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e130\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e170 x 240 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eRab-Rab: journal of political and formal inquiries in art is starting a new course. Beginning with this issue, we plan to use the journal as a platform to support, gather, discuss, and propagate the experiences of people who want to organize against capitalism, nationalism, chauvinism, and all other kinds of reactionary ideologies. There are testimonies, interviews, statements, theses and studies – as in all previous issues – but from now on, politics will outweigh form.\u003c\/p\u003e\n\u003cp\u003eHere, we publish two interviews with musicians discussing their experiences with organizing. Milena Solomun talks about her punk formation, which took place during a bloody civil war and alongside the destruction of socialism in Yugoslavia. Ben Watson and Jair-Rohm Parker Wells’ long discussion on Musical Dialectics is also about punk, precisely Punk Jazz and Free Improvisation, and the way musical decisions have wider political resonance, including clear-cut ideological demarcations. Their collective is called AMM All-Stars (from the Association of Musical Marxists).\u003c\/p\u003e\n\u003cp\u003eKaisa Lassinaro looks at a library collection of feminist and lesbian literature, and asks what it means to read these materials with explicit political and Marxist references? Ghassan Halwani gives a condensed summary of a long and ongoing activist interaction with archives through the defamiliarization of memoirs from the Civil War in Lebanon; beyond the ideologies of liberal reconciliation.\u003c\/p\u003e\n\u003cp\u003eFrom this issue, Rab-Rab journal initiates a research project dedicated to studying laws of uneven and combined development in contemporary art. The transcript of two interviews from Doruntina Kastrati’s film is a case in point. Kastrati’s film about workers who were seriously injured and, in some cases, died while working for a one euro hourly pay rate on the highway in Kosovo for the most powerful companies, can be understood through the laws of uneven and combined development.\u003c\/p\u003e\n\u003cp\u003eThe long theoretical article by Rastko Močnik on the ideologies of contemporary art, that we are proud to publish here, especially addresses these forms. Močnik’s real target is the prevalence of reactionary and conservative ideas in contemporary art practices which, historically, were established by relativizing the revolutions of avant-garde art.\u003c\/p\u003e\n\u003cp\u003eFollowing this, we initiate a rubric called ‘General Rhythm.’ By understanding form as a sedimented content, we propose a method of objective form that will enable us to discern the general rhythms of society beneath the cacophony of capitalist unevenness and contradiction. We apply this approach modestly to a few local examples in Finland (Mika Vainio exhibition, Sorbus gallery publication, Veijo Rönkkönen sculptures, Edvard Richter award) and are satisfied with the results. In the following issues, this will be developed into a full-scale research project in collaboration with theoreticians, activists, artists and curators from all around the world.\u003c\/p\u003e\n\u003cp\u003eAs a supplement to this issue, we are publishing the first English translation of Walter Benjamin’s text on Lenin, actually Benjamin’s review of Lenin’s letters to Maxim Gorky, originally from 1926. Translated by Esther Leslie, who also annotated the text, Benjamin’s review portrays a different Lenin, one whose personal life is not detached from his revolutionary politics; the Lenin of subjective politics.\u003c\/p\u003e\n\u003cp\u003eBeautifully designed by Ott Kagovere.\u003c\/p\u003e","brand":"Public Knowledge Books","offers":[{"title":"Default Title","offer_id":42713102975234,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC08138.jpg?v=1651331032"},{"product_id":"light-reading-gold-gutter-failed-delivery-by-ira-yonemura","title":"LIGHT READING, GOLD GUTTER, FAILED DELIVERY by Ira Yonemura","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eLight Reading, Gold Gutter, Failed Delivery\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eIra Yonemura\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePublisher\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSunday's Print Services\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e50\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e275 x 340 mm\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003eSoftcover, 1-5 colour Riso, coil-bound, edition of 150\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eThe first publication from open-access studio and print-service Sunday’s picks up where Good Press left off at 5 St Margaret’s Place with ‘Light reading, gold gutter, failed delivery’ by Ira Yonemura. The last exhibition to be hosted by Good Press and the first publication by Sunday’s seems a pretty nice placing.\u003c\/p\u003e\n\u003cp\u003eThis is a very special publication; colour separations of each work from the exhibition gloriously and carefully printed in red, yellow, black, light teal, violet and blue inks. 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Howard","description":"\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003ePeter (8 poems)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 25.3331%;\" data-mce-style=\"width: 25.3331%;\"\u003e\u003cspan\u003eAuthor(s)\/Editor(s)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 68.6669%;\" data-mce-style=\"width: 68.6669%;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eAdrien H. 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The fate of Eastern Sugar is explored as a microcosm of the mechanisms of postcommunist transition across Central Europe from the opportunism of financial speculators to the endemic corruption of privatization, posing the question of whether neoliberal marketization was the only viable exit strategy from state socialism.\u003c\/p\u003e\n\u003cp\u003eContributions dealing with the social and environmental legacies of Caribbean sugar plantations situate the sugar histories of Eastern Europe within the spread of a monocultural system based on (neo)colonial extractivism. 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MOORE, ILONA NÉMETH, MICHAEL NIBLETT, RAJ PATEL, JÓZEF ROSTA, JOANNA SOKOŁOWSKA, OLJA TRIAŠKA STEFANOVIĆ, IMRE SZEMAN, RALUCA VOINEA\u003c\/p\u003e","brand":"Art Data","offers":[{"title":"Default Title","offer_id":42713103302914,"sku":"","price":21.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/4524\/8002\/products\/DSC08247.jpg?v=1651331039"}],"url":"https:\/\/londonbookarts.org\/collections\/books.oembed?page=24","provider":"London Centre for Book Arts","version":"1.0","type":"link"}