OLIVETTI IDENTITIES: SPACES AND LANGUAGES 1933–1983 by Franzi Haeussner

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Title: Olivetti Identities: Spaces and Languages 1933–1983
Author(s)/Editor(s): Franzi Haeussner
Publisher: Triest Verlag
Pages: 400
Dimensions: 160x240mm
Format: Softcover
Year: 2022
Olivetti Identities by Davide Fornari and Davide Turrini presents the results of an interdisciplinary research project by ECAL and the University of Ferrara. This beautiful book analyzes the Olivetti phenomenon as a whole.

Olivetti’s world-famous typewriters best embody the company’s industrial legacy and visible identity, which was both innovative and complex, material, and immaterial. These identities are at the heart of an interdisciplinary research project carried out by ECAL/Ecole cantonale d’art de Lausanne and the Università degli Studi di Ferrara in collaboration with the Association for the Historical Archives of Olivetti in Ivrea.

Olivetti Identities—Spaces and Languages 1933–1983 presents the results of this research with the aim of analyzing the Olivetti phenomenon as a whole, paying particular attention to the context of corporate evolution, and the approaches of designers such as Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante, and Walter Ballmer, among others.

The research analyzed the corporate identity journey of Olivetti from the establishment of the Olivetti advertising office in 1933 to the opening of the permanent Olivetti pavilion at the Hanover Fair in 1983, which was intended as the final step in a particularly efficient corporate identity strategy.

The volume of Olivetti Identities is organized in four sections dedicated to the design of showrooms and exhibition design at trade fairs and expos, the analysis of languages that have shaped corporate vocabulary as well as visual communication and interaction design, and cultural, and promotional activities, respectively.

A final section summarizes the credentials of designers Santiago Miranda and George Sowden, as well as former Olivetti collaborators in sales and training.

Two visual essays featuring published and previously unpublished documents from the Olivetti historical archives complete the book.

About the author:
Davide Fornari is associate professor at ECAL/Ecole cantonale d’art de Lausanne and Head of the Applied Research and Development department. He has authored, edited and served as art director for a number of publications on design, including Mapping Graphic Design History in Switzerland, Bianca und Blu Monica Bolzoni (2019), Carlo Scarpa: Casa Zentner a Zurigo (2020).

Davide Turrini is associate professor at the Department of Architecture of the University of Ferrara, where he teaches design theory and sustainable design. He has conceived and coordinated research projects on Italian product design and craftmanship. His publications include Giuseppe Terragni. Album 1925 (2018), Creativa produzione. La Toscana e il design Italiano 1950–1990 (2015).

Additional information

Weight .835 kg
Dimensions 160 × 240 × 30 mm