|Dimensions||141 x 210 mm|
Honey Mine unfolds as both excavation and romp, an adventure story that ushers readers into a lesbian writer’s coming of age through disorienting, unsparing, and exhilarating encounters with sex, gender, and distinctly American realities of race and class. From childhood in Chicago’s South Side to youth in the lesbian underground, Roy’s politics find joyful and transgressive expression in the liberatory potential of subculture. In these new, uncollected, and out-of-print fictions by a master of New Narrative, find a record of survival and thriving under conditions of danger.
Camille Roy’s most recent book is Sherwood Forest, from Futurepoem. Other books include Cheap Speech, a play from Leroy Chapbooks, and Craquer, a fictional autobiography from 2nd Story Books, as well as Swarm (fiction, from Black Star Series). She co-edited Biting The Error: Writers Explore Narrative (Coach House 2005, re-issued 2010). Earlier books include The Rosy Medallions (poetry and prose, from Kelsey St. Press) and Cold Heaven (plays, from Leslie Scalapino’s O Books). Recent work has been published in Amerarcana and Open Space (SFMoma blog).
“It’s poetry stretched over mountains of prose, mythic and dirty like a genius’s sex diary told outta the side of their mouth in a torn bathrobe with a topical map on the back that includes genitals, wisdom & lore. It’s held together by love – lost & known. And the healing power of silence. Honey Mine is one hell of a unique book. It’s a study. It disrupts the category, be it literature, fiction, the essay or the lesbian. It says: whatever you have the nerve to do, I will also do. Honey Mine is an inspirational work.” -Eileen Myles