BODIES OF SOUND: BECOMING A FEMINIST EAR by Irene Revell, Sarah Shin
| Title |
Bodies of Sound: Becoming a Feminist Ear |
| Author(s)/Editor(s) | eds. Irene Revell, Sarah Shin |
| Publisher | Silver Press |
| Pages | 220 |
| Dimensions |
130 x 197mm |
| Format | Softcover |
| Year | 2024 |
Edited and introduced by Irene Revell and Sarah Shin
With contributions from:
Sara Ahmed, Ximena Alarcón, Svetlana Alexievich, Ain Bailey & Frances Morgan, Anna Barham, Xenia Benivolski, Leanne Betasamosake Simpson & Kite, Elena Biserna, Karen Barad & Black Quantum Futurism, Anne Bourne, Daniela Cascella, Theresa Hak Kyung Cha, Maria Chávez, Don Mee Choi, Carson Cole Arthur, Petero Kalulé & AM Kanngieser, Lindsay Cooper, Julia Eckhardt, Lucia Farinati & Claudia Firth, Ella Finer, Annie Goh, Louise Gray, Christina Hazboun, Johanna Hedva, Sarah Hennies, Tomoko Hojo, IONE, Lee Ingleton, Hannah Catherine Jones, Christine Sun Kim, Nat Lall, Cathy Lane, Jeanne Lee & Lona Foote, Marysia Lewandowska, Annea Lockwood & Jennifer Lucy Allan, Cannach MacBride, Elaine Mitchener & Hannah Kendall, Alison O'Daniel, Naomi Okabe, Pauline Oliveros, Daphne Oram, Gascia Ouzounian, Holly Pester, Roy Claire Potter, Anna Raimondo, Tara Rodgers, Aura Satz & Barbara London, Shortwave Collective, Sisters of the Order of Celestial Nephology, Sop, Syma Tariq, Marie Thompson, Trinh T. Minh-ha & Stoffel Debuysere, Salomé Voegelin
‘I am concerned with the power of sound! and what it can do to the body and the mind,’ wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. Bodies of Sound offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a variety of forms – from essays to text scores to art, fiction and memoir – speak across gender, ways of knowing, witnessing, sounding and voicing, translation, displacement, violence and peace.
-
Title
Bodies of Sound: Becoming a Feminist Ear
-
Authors / Editors
Irene Revell, Sarah Shin
-
Publisher
Silver Press
-
Pages
220
-
Dimensions
130 x 197mm
-
Format
Softcover
-
Year
2024
Shipping Terms
Delivery
We aim to process orders within 1–2 working days. Orders placed on a Saturday and Sunday will be processed from the next working day. If you need something in a hurry please call or email us before placing an order to ensure the item is in stock.
UK
All mainland UK orders are sent using Royal Mail, which usually arrives within 1–2 working days after despatch. We use Parcelforce and DHL on heavier or bulkier orders, which can take 2 working days to arrive. Royal Mail Signed For, Parcelforce and DHL all require a signature as proof of delivery. Please note that postage costs for addresses that are not mainland UK may vary.
European Union and Single Market
Please note that due to the introduction of the General Product Safety Regulation (GPSR) in December 2024, we are no longer able to ship to the EU and Single Market (including Northern Ireland). This does not affect items such as workshop bookings, Studio Passes, or Gift Vouchers.
International
Please note that LCBA cannot be held responsible for any import duties, taxes or delays in processing once your order arrives in-country. It is important that international orders include a contact telephone number and email address at checkout in the instance that the carrier needs to contact you for taxes and/or duties to be paid.
Out of Stock
We make every effort to ensure all products are in stock, but in the event of us not having your chosen product we will contact you and offer either a refund or a split- or later delivery if possible.
Returns
We hope you are happy with your purchases from London Centre for Book Arts, but if not, we can offer a refund on any item as long as it is returned in a saleable condition within 30 days of receiving your item. Please note that we are unable to reimburse postage costs for returns. For further information, or to make a return, write to us atorders@londonbookarts.org.