Bricks from the Kiln is an irregular journal edited by Andrew Lister and Matthew Stuart, sometimes with guest editors, that presents graphic design and typography as disciplines activated by and through other disciplines and lenses such as language, archives, collage, and more. It borrows its title from the glossary notes of Ret Marut’s "Der Ziegelbrenner," which was the ‘size, shape and colour of a brick’, and ran for 13 issues between 1917 and 1921.

Contents:

ANYTHING BUT BEGIN
Louis Lüthi
(pp.5–18)

SNOW AND BLOOD: A DIPTYCH PICTURESQUE
Helen Marten
(pp.27–37)

THE RECIPE FOR BLUE WAS RED / SPATTERING,
SHADOW TEXTS,THE APPLICATION OF
INTERNAL CONTRADICTION
Rebecca May Johnson
(pp.38–45)

NETWORKS ARE NOT DIAGRAMS:
AETHERIC THEORIES AND SOCIAL PHYSICS
Johanna Drucker
(pp.46–59)

I LOSE MY HEAD
Daisy Lafarge
(pp.60–67)

THE BIG ROAR
Holly Pester
(pp.69–76)

OFF THE PAGE: LOUD COWS A TALK AND A POEM
ABOUT READING ALOUD
Ursula K. Le Guin
(pp.83–90)

SIGNS, SOUNDS, METALS, FIRES,
OR AN ECONOMY OF HER READER
Quinn Latimer
(pp.91–109)

SKETCHES FROM A POLITE HELL
Stefan Themerson
(pp.111–113)

TRANSLITERATIVE TEASE
Slavs and Tatars
(pp.115–133)

A SÉANCE: A CALL AND RESPONSE
Ashanti Harris
(pp.134–142)

XAXALPA
Catalina Barroso-Luque
(pp.149–162)

LEFT TO HIS OWN DEVICES:
RICHARD HAMILTON, INTROSPECTRE
Kevin Lotery
(pp.163–180)

AJAR AJAR A JAR: [OPENING THE CONCRETE]
Bronac Ferran w. Greg Thomas
(pp.163–180)

BARONESS ELSA’S EM DASHES
Astrid Seme w. Alex Balgiu
(pp.1–4, 19–26, 77–82, 143–148, 205–208)