Henri Jacobs has been conducting an investigation into two-dimensionality that involves the inherently flat nature and recto-verso proposition of a surface. Materialising in various forms, such as plaited paintings, murals, brickwork, wall hangings, ceramic objects, and drawings, the collection of works featured in this book were produced using a variety of techniques. In particular, the Brussels-based artist regularly experiments with plaiting paper, in which old and new works – or figurative and geometric images – are woven together into a two-sided, two-dimensional surface that is image, pattern, texture, and structure all in one.